37489 - PROCESSES IN CONSERVATION

Anno Accademico 2018/2019

  • Docente: Aurelia Francoise Chevalier
  • Crediti formativi: 6
  • SSD: L-ART/04
  • Lingua di insegnamento: Inglese
  • Modalità didattica: Convenzionale - Lezioni in presenza
  • Campus: Ravenna
  • Corso: Laurea Magistrale in Science for the conservation - restoration of cultural heritage (cod. 8537)

Conoscenze e abilità da conseguire

At the end of the course the student will be acknowledged: - about both metal conservation-restoration processes and the use of the most advanced restoration technologies and research methodologies. Moreover, student will be informed about the metal restoration decision making processes and the role played by a conservation scientist. In particular the student will be familiar with the different metal conservation-restoration processes(diagnosis, cleaning, consolidation, structural reinforcement, surface protection, etc.; with the metal restoration materials, methods and terminology; - about both painting conservation-restoration processes and the use of the most advanced restoration technologies and research methodologies. Moreover, the student will be informed about the painting restoration decision making processes and the role played by a conservation scientist. In particular the student will be familiar with the different painting conservation restoration processes(diagnosis, cleaning, consolidation, structural reinforcement, surface protection, etc.) familiar with the painting restoration materials, methods and terminology.

Contenuti

Module 1: Cleaning (principles of cleaning, patina, diffusion, evaporation, viscosity, surface tension, solvents, Teas diagram, surfactants/detergents, swelling, leaching, dirt, enzymes, pH, washing, bleaching, laser, mechanical cleaning, abrasion, high pressure cleaning, dry cleaning, health and safety; these different methods will be treated according to function: i.e. chemical, mechanical, ablation).

Module 2: Adhesion (principles of adhesion, reversibility, optics, stability, surface tension, traditional adhesives, synthetic adhesives, monomers, polymers in organic solvents, dispersions, additives, thixotropy, different materials and adhesives, fillers, adhesion methods).

Module 3: Consolidation (consolidation of multilayered structures, principles of impregnation, impregnation of wood, waterlogged wood, stone, paper, textiles, plaster/cement, matte paint, plastic artefacts, leather, reversibility, traditional consolidants, synthetic consolidants, consolidation methods, vacuum treatments, regeneration).

Module 4: Mechanical behaviour, structural intervention and reinforcement (relining, treatment of cracks, tears, cradles, marouflage, reinforcement techniques, mechanical principles, elasticity, stiffness, creep, shrinking, swelling, tension, stress, strain).

Module 5: Coating and protection (coatings, resins, varnishes, light stabilisers, protective coatings, additives, waxes, surface characteristics, optics, transparency, appearance, gloss, matteness/saturation, colour, prevention of corrosion {including anodic/cathodic protection}, glass transition temperature (Tg), application techniques).

Module 6: Retouching and completion (retouching principles, aesthetics, reversibility, visible, integrated retouching/completion techniques, retouching materials, stability, metamerism, colour, light, surface characteristics, glass transition temperature (Tg), appearance, transparency, application techniques, casting, additives, stabilisers, filling materials, multilayered systems.

Testi/Bibliografia

Scientific articles from the 2nd half of the 20th century and recent ones

[FELLER 1972 ] FELLER, R. L., The Relative Solvent Power needed to Remove Various Aged Solvent Type Coatings, Congrès IIC, Lisbonne, Londres, 1972.

[FOTAKIS et al. 2007] FOTAKIS C., ANGLOS D., ZAFIROPULOS V., GEORGIOU S., TORNARI, V., Lasers in the Preservation of Cultural Heritage, Series in Optics and Optoelectronics, Taylor/Francis, 2007.

[HORIE 1987] HORIE C.V., Materials for Conservation and Organic consolidants, adhesives and coatings, Elsevier, Burlington, 1987.

[LEARNER 2004] LEARNER J.S.T., Research in conservation: Analysis of Modern Paints, The Getty Conservation Institute, Los Angeles, California, 2004.

[MASSING 2002] MASSING A., « Restoration policy in France in the eighteen century » in Studies in the history of painting restoration, C. Sitwell et S. Staniforth (éd.), 1998, réédité à Londres en 2002.

Metodi didattici

The morning: Courses and seminars providing a basic understanding of conservation processes as well as new approaches in conservation science

The afternoon: laboratory cessions in order to identify conservation problems and apply processes

Modalità di verifica e valutazione dell'apprendimento

1-Oral examination: the examination consists of oral presentations of scientific articles about the module studied.

2-Scientific report of the painting studied in the lab

3-Technical and historical report on a painting conserved in a museum

4-Proposal for a research programme

Strumenti a supporto della didattica

Computer projector, PC, laboratory, conservation tools and products

Students are allowed to have access to the research laboratory of the teacher provide that are accompanied by him

Orario di ricevimento

Consulta il sito web di Aurelia Francoise Chevalier