85118 - ITALIAN POP CULTURES (1) (LM)

Conoscenze e abilità da conseguire

At the end of the course, students will have a general knowledge of mass culture in Italy, having studied the creation, production, circulation processes and use of the social meanings; they will be capable of analysing the phenomena and processes of contemporary life such as its means of communication (new and old media), consumption and production of cultural heritage (music, paintings, newspapers, books, etc.), connections between cultural processes and social inequalities and the organisational bases of media and artistic communication, the wide range of different forms of consumption, production, organisation, financing and evaluation of cultural heritage and objects. Students will be capable of recognising various phenomena linked to communication and of analysing these from an interdisciplinary perspective.

Contenuti

The course is virtually articulated in two parts. Part one will offer the main conceptual and theoretical tools useful for studying popular culture in contemporary societies. Moving from cultural studies and the sociology of culture, this first part introduces students to a toolbox of concepts and models especially designed to address the production, circulation, consumption and evaluation of cultural items as songs, films, comics, food, and television series.

In the second part we will examine some typical examples of Italian popular culture putting them in their proper social and cultural context. Among the cultural objects/cultural genres to be studied as epitome of 'pop' Italian culture are gestures, Italian pop songs (including the highly infuential musical genre of canzone d'autore), Italian cuisine, and a few cultural items linked to the social phenomenon of the Mafia (songs, images, film, TV series, comic books).

Issues of gender, ethnicity and class will be addressed along with issues of history, geography, religion, and politics. A special focus will be devoted to the articulation among the regional, national and international scales of production/consumption/circulation.

I've written the course is "virtually" articulated in two parts because in fact the two parts will be enmeshed and entangled - using Italian cultural data to illustrate theories and concepts, and viceversa.

Testi/Bibliografia

 

A set of texts (i.e. a Syllabus) focused on the study of popular culture (theory and methods) and on Italian popular culture will be made available to students through this website in due time (before the course begins).

The Syllabus will includes texts by Antonio Gramsci, Umberto Eco, Pierre Bourdieu, Raymond Willians and other scholars. It will also incluse texts on Italian popular music, on Italian popular cinema, on Italian comics, on Italian food, and on the Mafia as a cultural and mediatized phenomenon.

A previous knowledge in cultural and literary theory is highly recmmended.

Erasmus students are welcomed but they are warned that a background in these disciplines is assumed. This is not an introductory course to Italian culture (there exists a class like this especially addressed to Erasmus students.)

 

Metodi didattici

Frontal teaching with the help of slides

Modalità di verifica e valutazione dell'apprendimento

Oral exam with possibility to present a paper (5,000 WORDS, BIBLIOGRAPHY INCLUDED) on a topic agreed in advance with the teacher.

NB: AS A CONSEQUENCE OF THE COVID-19, THE ORAL EXAM AS ASSESSMENT METHOD IS SUBSTITUTED BY A PAPER (5,000 WORDS ON A TOPIC AGREED IN ADVANCE WITH THE PROFESSOR, BY e-mail)

Strumenti a supporto della didattica

Some slides will be made available (not the whole set)

Orario di ricevimento

Consulta il sito web di Marco Santoro