90013 - Middle Ages and Medievalism: Historiography and Methodology (1)

Learning outcomes

The course aims to provide methodological and critical tools to understand the relationships between medieval historiography as a discipline that, through the analysis of sources – in the first place the historiographic ones -, interprets the historical and cultural dynamics of the medieval period, that is the post-medieval representations and uses of themes and subjects warned as medieval in later epochs, characterizing itself in a highly interdisciplinary sense. At the end of the module, students have gained a general view of the critical literature by reading and commenting on the texts; they will be able to recognise and use the main bibliographical resources; they will be able to grasp the prevailing models of the interpretation of events, the connections among the various phases of the construction of historical memory, the various cultural uses of the Middle Ages compared to the political-institutional evolution from a diachronic perspective; they will be able to place in a general framework the medieval/medievalism interactions in their cultural, political and ideological dimension.

Course contents

The basic part of the course (20h.) will be focused on the definition of medievalism as an innovative and interdisciplinary field of research in its relations with medieval historiography in terms of methods and contents.

Part of the course (10 h.) will be focused on Middle Ages and cinema

Readings/Bibliography

ATTENDING STUDENTS

• R. Bordone, Lo specchio di Shalott. L'invenzione del Medioevo nella cultura dell'Ottocento, Napoli 1993 (RECOMMENDED READING)
• T. di Carpegna Falconieri, Cinque altri modi di sognare il medioevo. Addenda a un testo celebre, in «Bullettino dell’Istituto storico italiano per il medio evo», 122 (2020), pp. 407-433 (READING REQUIRED)
• U. Eco, Dieci modi di sognare il medioevo, in U. Eco, Sugli specchi e altri saggi, Milano 1985, pp. 78-89/U. Eco, Scritti sul pensiero medievale, Milano 2013, pp. 1093-1108 (READING REQUIRED)
• U. Longo, ‘Tra un manifesto e uno specchio’. Piccola storia del medievalismo tra diaframmi, maniere e pretesti, in «Bullettino dell’Istituto storico italiano per il medio evo», 122 (2020), pp. 383-405 (READING REQUIRED)
• D. Matthews, From Mediaeval to Mediaevalism: a New Semantic History, in «The Review of English Studies», New Series, Vol. 62, No. 257, pp. 695-715 (READING REQUIRED)

 

• R. Facchini, D. Iacono, Introduzione. “Medievalismo”, il nome della cosa. Il contributo del cinema alla rappresentazione, la ricezione e l’uso postmedievale del medioevo, in «Bianco e Nero», 600 (2021), pp. 10-16 (READING REQUIRED)
• F. Roversi Monaco, Medioevo prossimo venturo. Distopie apocalittiche nella produzione audiovisiva contemporanea, in «Bianco e Nero», 600 (2021), pp. 24-29(READING REQUIRED)
• F. Cardini, I film macchine del tempo, in «Bianco e Nero», 600 (2021), pp. 169-173(READING REQUIRED)

STUDENTS ARE REQUIRED TO CONSULT THE SLIDES PUBLISHED ON IOL

NOT ATTENDING STUDENTS

• R. Bordone, Lo specchio di Shalott. L'invenzione del Medioevo nella cultura dell'Ottocento, Napoli 1993 (READING REQUIRED)
• T. di Carpegna Falconieri, Cinque altri modi di sognare il medioevo. Addenda a un testo celebre, in «Bullettino dell’Istituto storico italiano per il medio evo», 122 (2020), pp. 407-433 (READING REQUIRED)
• U. Eco, Dieci modi di sognare il medioevo, in U. Eco, Sugli specchi e altri saggi, Milano 1985, pp. 78-89/U. Eco, Scritti sul pensiero medievale, Milano 2013, pp. 1093-1108 (READING REQUIRED)
• U. Longo, ‘Tra un manifesto e uno specchio’. Piccola storia del medievalismo tra diaframmi, maniere e pretesti, in «Bullettino dell’Istituto storico italiano per il medio evo», 122 (2020), pp. 383-405 (READING REQUIRED)
• D. Matthews, From Mediaeval to Mediaevalism: a New Semantic History, in «The Review of English Studies», New Series, Vol. 62, No. 257, pp. 695-715 (READING REQUIRED)

 

• R. Facchini, D. Iacono, Introduzione. “Medievalismo”, il nome della cosa. Il contributo del cinema alla rappresentazione, la ricezione e l’uso postmedievale del medioevo, in «Bianco e Nero», 600 (2021), pp. 10-16 (READING REQUIRED)
• F. Roversi Monaco, Medioevo prossimo venturo. Distopie apocalittiche nella produzione audiovisiva contemporanea, in «Bianco e Nero», 600 (2021), pp. 24-29 (READING REQUIRED)
• M. Montesano, Tremate, tremate...La stregoneria sullo schermo:fra medioevi immaginari e modernità atemporali, in «Bianco e Nero», 600 (2021), pp. 58-65 (READING REQUIRED)
• F. D'Angelo, Dal Nord con furore, I vichinghi sulle scene, da Kirk Douglas ai Monty Python, in «Bianco e Nero», 600 (2021), pp. 66-72 (READING REQUIRED)
• A. Musarra, Robin Hood, Brancaleone e il feroce Saladino. I film sulle Crociate: le “guerre sante” del passato e del presente, in «Bianco e Nero», 600 (2021), pp. 78-84 (READING REQUIRED)
• T. Canella, Uomini e dèi. Il cinema religioso e la rappresentabilità del sacro, in «Bianco e Nero», 600 (2021), pp. 85-93 (READING REQUIRED)

• N. Maggio, Conan: la spada e lo stregone Middle Ages e fantasy: la rielaborazione del medioevo attraverso le saghe filmiche sword and sorcery, in «Bianco e Nero», 600 (2021), pp. 94-101 (READING REQUIRED)

• F. Cardini, I film macchine del tempo, in «Bianco e Nero», 600 (2021), pp. 169-173(READING REQUIRED)

STUDENTS ARE REQUIRED TO CONSULT THE SLIDES PUBLISHED ON IOL

 

Teaching methods

FRONTAL LECTURES

Assessment methods

NB Students who attend at least 75% of the lessons are considered to be attending.

The final exam will be an oral one, with questions aimed to verify the student's knowledge of the themes discussing during frontal lectures (only for attending students) as well as those treated in the program's texts.

Non-attending students will have to take an oral final exam about the themes treated in the program's texts.

The assessment will concentrate particularly on the skill displayed by the student in handling the sources and material in the exam bibliography and his ability to find and use information and examples to illustrate and correlate the various themes and problems addressed in the course.

The assessment will thus examine the student's:

- factual knowledge of the subject;
- ability to summarise and analyse themes and concepts;
- familiarity with the terminology associated with the subject and his ability to use it effectively.

Top marks will be awarded to a student displaying an overall understanding of the topics discussed during the lectures, combined with a critical approach to the material and a confident and effective use of the appropriate terminology.
Average marks will be awarded to a student who has memorized the main points of the material and is able to summarise them satisfactorily and provide an effective critical commentary, while failing to display a complete command of the appropriate terminology.
A student will be deemed to have failed the exam if he displays significant errors in his understanding and failure to grasp the overall outlines of the subject, together with a poor command of the appropriate terminology.

Teaching tools

We will use power point slides with images and maps. Various examples of historical sources will be used and discussed.

Office hours

See the website of Francesca Roversi Monaco