90703 - Collections, musées et publics

Learning outcomes

Students acquire knowledge of the theory and history of public and private collecting; they do so examining in depth the specific problems related to museology and to the relationship between museums and their diversified public; they develop useful skills to understand museum realities; they are able to recognise and analyse the evolution of display theories and the social and cultural role of museums. In particular, they become acquainted with the needs of museological and museographic planning with respect to the public’s fruition; they are able to use research and investigation tools in the field of museology and art mediation (interpretation); thanks to their experience in participatory and laboratory teaching approaches, they acquire transversal expertise as well as individual and teamwork skills.

Course contents

The 30-hour course takes place in the first semester (6 CFU).

The course aims to deepen knowledge of the genesis and development of museums and their audiences, with particular attention to the evolution of the debate on the role of museum institutions in Europe. The object of study is the international management of art collections, with reference to the transformation of organisational criteria, architectural forms and choices of conservation and presentation of collections.

During the academic year 2023-2024 the seminar activity, through case studies, aims to deepen - with the active participation of the students - aspects linked to the evolution of the notion of public and to the history of the display of collections.

During the 2023-2024 academic year, there will also be additional in-depth activities aimed primarily at students enrolled in the Museums and Museology/Musées et Muséologie unit:

1. A seminar (in French) on the relationship between museology and architectural design in the context of temporary exhibitions.

2. A seminar (in English) on virtual reality for museums.

By the end of the course, students will have acquired theoretical and historical knowledge of the protection, conservation and management of the historical and artistic heritage, and will have explored in greater depth in space and time the specific critical issues linked to the practice of collecting.

Readings/Bibliography

Two texts from section I and one text from section II are required for the examination. Students who have not taken the course should complete their preparation with a text from section III.

Section I:

K. Pomian, Le Musée, une histoire mondiale, vol.1, Paris, Gallimard, 2020.

K. Pomian, Le Musée, une histoire mondiale, vol.2, Paris, Gallimard, 2021.

D. Poulot, Museums in Europe, Paris, La documentation Française, 2020.

Section II: Further study/Seminar

AA. VV. L'art de l'exposition. Une documentation sur trente expositions exemplaires du XXe siècle, Paris, édition du regard, 1998.

F. Haskell, The ephemeral museum. Old master painting and the rise of the art exhibition, New Haven, Yale University Press, 2000.

D. Poulot, L'art d'aimer les objets, Laval, Presses de l'Université de Laval, 2016.

D. Poulot, Museums in Europe, Paris, La documentation Française, 2020.

* or other bibliographical material useful for the seminar activity and selected in agreement with the teacher.

Section III

A. Desvallées, F. Mairesse (ed), Dictionnaire encyclopédique de muséologie, Paris, Colin, 2011.

A. Gob, N. Drouguet, La Muséologie / Histoire, Développements, Enjeux actuels, Paris, Armand Colin, 2003.

D. Poulot, Museums in Europe, Paris, La documentation française, 2020.

Teaching methods

Lectures and seminar activities

In addition to the lectures and seminar activities, there will be study trips devoted to visits to exhibitions, museums, galleries or monumental complexes, which should be considered an integral part of the course itself.

There will also be meetings with professionals involved in the conservation and enhancement of historical and artistic heritage.

Limited places for incoming exchange students:

Places on this course for incoming exchange students are limited and are mainly reserved for students enrolled on art-related programmes at their home university. To check the availability of places, please write to amac@unibo.it

Assessment methods

The examination consists of an interview designed to assess the specific knowledge acquired by the student. The student will be expected to demonstrate an appropriate knowledge of the course topics and the bibliography indicated in the programme. Critical thinking skills will also be assessed.

1. The examination in which the student demonstrates the ability to analyse questions and texts accurately and to fit them into an organic vision of the themes covered in the course will be assessed with marks of excellence. Mastery of the subject vocabulary used in the oral will also be fundamental.

2. Knowledge centred on simple memorisation, the ability to analyse questions and texts in little depth and using correct but not always appropriate language, will lead to moderately satisfactory assessments.

3. Approximate knowledge, superficial understanding and poor analytical and expressive skills will lead to assessments that are barely more than adequate.

4. Shortcomings in learning, expression and mastery of the bibliography can only be assessed negatively.

Teaching tools

The lectures are supplemented by PowerPoint, videos and digital aids. Documents are made available on IOL.

Office hours

See the website of Sandra Costa