You are here: Home > Study > PhDs and Professional Masters programmes, Specialisations and advanced training > Course unit catalogue > History and Historiography of Music (1) (2nd cycle) 2018/2019

29022 - History and Historiography of Music (1) (2nd cycle)

Academic Year 2018/2019

  • Docente: Paolo Cecchi
  • Credits: 6
  • SSD: L-ART/07
  • Language: Italian
  • Teaching Mode: Traditional lectures
  • Campus: Bologna
  • Corso: Second cycle degree programme (LM) in Music and Theatre Studies (cod. 8837)

    Also valid for Second cycle degree programme (LM) in Music and Theatre Studies (cod. 8837)

Course contents

Master's Degree - "History and Historiography of Music", a.y. 2017-2018

Course title: Girolamo Frescobaldi and the ecclesiastic and aristocratic patronage in Rome in the first half of XVII century.

12 credits, duration: 60 hours divided into two modules of 6 credits and 30 hours each; Timetable: Tuesday, 3 PM – 7 PM.; Wednesday 9 AM -11 AM, classroom: Aula Picchi.

This course will begin on Tuesday, October 9, 2018, 3 PM – 7 PM.

Readings/Bibliography

I Module

  1. Oscar Mischiati, Catalogo delle edizioni originali delle opere di Girolamo Frescobaldi, in Frescobaldi e il suo tempo nel quarto centenario della nascita, Venezia, Marsilio, 1983, pp. 45-72.

    Claudio Annibaldi, Introduzione, in La musica e il mondo. Mecenatismo e committenza musicale in Italia tra Quattro e Settecento, a cura di Claudio Annibaldi, Bologna, Il Mulino, 1993, pp. 9-45.

    Claudio Annibaldi, Towards a theory of musical patronage in the Renaissance and Baroque: the perspective from anthropology and semiotics, «Recercare», X, 1998, pp. 173-182.

    Claudio Annibaldi, Frescobaldi’s Early Stay in Rome (1601-1607), “Recercare”, XIII (2001), pp. 97-124.

    Frederick Hammond, Girolamo Frescobaldi, Palermo, L’Epos, 2002, pp. 16-196.


II Module

  1. Frederick Hammond, Girolamo Frescobaldi, Palermo, L’Epos, 2002, pp. 199-218.

    Claudio Annibaldi, Frescobaldi’s Primo Libro delle Fantasie a quattro (1608); a Case Study on the interplay Between Commission, Production, and Reception in Early Modern Music, “Recercare”, XIV (2002), pp. 31-61.

    Claudio Annibaldi, Frescobaldi’s Early Stay in Rome (1601-1607), “Recercare”, XIII (2001), pp. 97-124.

    Score of the Frescobaldi's Fantasie: Girolamo Frescobaldi, Il primo libro delle Fantasie a quattro, 1608, a cura di Alda Bellasich, Milano, Suvini Zerboni, 1995, (“Girolamo Frescobaldi, opere complete” VI), pp. I-VII, 1-4 (“Fantasia prima sopra un soggietto”); 28-34 (“Fantasia sesta sopra doi soggietti”); 47-52, (“Fantasia nona sopra tre soggietti”).

    Recordings of the Frescobaldi's Fantasie:

    Girolamo Frescobaldi. Il primo libro delle Fantasie a quattro, Francesco Tasini, organo, Tactus, 2005, DDD-TC 580607.

    Frescobaldi. Il Primo Libro delle Fantasie a quattro. Canzoni alla Francese, ( Roberto Loreggian, clavicembalo), 2 cd, Brilliant, 2010 , n. 94109

Assessment methods


 

 

For office hours please consult the website of the teacher, professor Paolo Cecchi

Office hours

See the website of Paolo Cecchi