32523 - ART APPRECIATION

Anno Accademico 2017/2018

  • Docente: Fabiola Naldi
  • Crediti formativi: 6
  • SSD: L-ART/04
  • Lingua di insegnamento: Inglese
  • Modalità didattica: Convenzionale - Lezioni in presenza
  • Campus: Bologna
  • Corso: Laurea Magistrale in Innovation and organization of culture and the arts (cod. 0902)

Conoscenze e abilità da conseguire

Student is expected to learn the frameworks of management of museum institutions and to understand critical methods for the comprehension of various works of art, through developing a profound understanding of the historical background. - learn methodologies for analysing works of art - examine the Italian art historical tradition.

Contenuti

This course is an exploration of contemporary visual art forms and their cultural connections for the student with little experience in the visual arts. It includes a brief study of art history of the last three decades, and in-depth studies of the elements, media, and methods used in creative thought and processes. The course aims to take into the latest visual expanded scenarios in which visual art is engaged with sociological and anthropological practices of now. The course intends to underline the many possibilities of our post modern actuality inside and outside the museum.
This course defines the meaning of aesthetics and its relationship to cultural conventions, describes specific processes used by visual artists, art as a social activity and a singular creative act, historical forms of artistic training.

This course develops in three fundamental moments. The first unit (10 hours) tries to introduce a theoretical deepening in order to identify the Contemporary Art History. The second unit (10 hours) is dedicated to the different art spaces, including the city, the street and all the live space where it’s possibile now to meet contemporary art. The third unit (10 hours) is an immersive experience into different artistic spaces (galleries, museum, art association, temporary art) to develop the current visual culture.

Testi/Bibliografia

Boris Groys, Art Power, The MIT Press Cambridge, Massachusetts London, England, 2008

Claire Bishop, ARTIFICIAL HELLS. Participatory Art and the Politics of Spectatorship, Verso, London, 2012

Enrique Vila-Matas, The Illogic of Kassel, New Directions Paperbook, 2015

 

Metodi didattici

Teacher-Centered Approach.

The students will be able to discuss with the teacher the different arguments

Modalità di verifica e valutazione dell'apprendimento

The exam will be oral

Strumenti a supporto della didattica

the teaching tools are image, video, sound and excursions to various art exibitions

Orario di ricevimento

Consulta il sito web di Fabiola Naldi