| Year | 2023 |
|---|---|
| Code | 5938 |
| Main Department | Dipartimento di Storia Culture Civiltà - DISCI |
| Campus | Bologna |
| Credits | 4 |
| Cost | 17,04 € |
| Application deadline | May 12, 2023 (Expired) |
| Enrolment start and end | from 17-05-2023 to 24-05-2023 |
- Subject area
- Humanities
- Learning outcomes
- The programme lasts for 2 weeks, classroom training is delivered in English, awards 4CFU credits and aims the following learning outcomes: - Gain a solid grounding in archaeological theory and practice; - Undertake hands-on technical training on multiple archaeological-related subjects, supported by workshops and on-site instruction; - Develop skills in cutting-edge digital technologies for archaeological excavation and recording techniques; - Advance in the understanding of the full excavation process, documentation, and record keeping; - Develop reflective practice and the ability to connect material culture with the archaeological context; - Improve organizational, teamwork and collaboration skills.
- Number of participants
- min 15 max 25
- Duration
- 2 weeks
- Language
- English
- Admission qualifications
- - first cycle degree and/or second / single cycle degree obtained under D.M. 270/04 or first cycle degree and/or second / single cycle degree obtained under the laws previously in force (DM 509/99 and Old Regulations) in the following fields or classes: history, archaeology, cultural heritage studies;
- first cycle degree and/or second / single cycle degree obtained abroad deemed equivalent to those described in point above by the admission committee, for the purposes of admission to the course. - Linguistic skills
- - english proficiency
- Selection criteria
- selection for titles.
- Academic director
- Isabella Baldini
- Study plan
- ArchLABS. History and archaeology of Late Antique Sicily - SSD: L-ANT/08 - Isabella Baldini, Giulia Marsili, Salvatore Cosentino, Carla Sfameni;
- ARCHLabs Fieldwork in the Villa of Piazza Armerina - SSD: L-ANT/08 - Isabella Baldini, Giulia Marsili, Carla Sfameni, Paolo Barresi.