- Docente: Gino Scatasta
- Credits: 3
- Language: English
- Teaching Mode: Traditional lectures
- Campus: Bologna
- Corso: First cycle degree programme (L) in Foreign Languages and Literature (cod. 0078)
Learning outcomes
At the end of the course students will be acquainted with the lineaments of XX century English literary history, will be able to read and understand texts from English into Italian, and will be also acquainted with some basic critical methods and tools, with the aim to enable them to interpret the works of major authors, contextualising them against the background of XX century culture and society.
Course contents
Nineteen
Eighty-Four:
1948/1984/2009
George Orwell's Nineteen Eighty-Four will enable us to juxtapose two periods of
English culture and society, with their own fears and obsessions:
the years following the end of II World War and Margaret Thatcher's
Eighties. It will be
also analyzed the relevance of this
text for our present time.
Readings/Bibliography
Primary texts:
George Orwell, Nineteen
Eighty-Four
George Orwell, “Why I write”
George Orwell, “The Frontiers of Art and Propaganda”
George Orwell, “Literature and Totalitarianism”
George Orwell, “Literature and the Left”
George Orwell, “Writers and Leviathan”
Secondary texts:
Aldous Huxley, Brave New World
Aldous Huxley, Brave new World RevisitedJonathan Coe, What a Carve Up!
Alan Moore e David Lloyd, V for Vendetta
Critical sources:
Historical background:
R. Bertinetti, Dai Beatles a Blair: la cultura inglese contemporanea, Roma, Carocci, 2001, pp. 62-86.
A. Marzola, “Il neoliberismo thatcheriano” in Englishness, Roma, Carrocci, 2001, pp. 257-267 e pp. 370-72.
On Nineteen Eighty-Four:
Crispin Aubrey, “The Making of 1984”, in C. Aubrey and P. Chilton, Nineteen Eighty-Four in 1984, Comedia, London, 1983, pp. 7- 14
Beatrice Battaglia, “Guerra reale e guerra simulata. Orwell illustra Baudrillard”, in V. Fortunati, D. Fortezza, M. Ascari, Conflitti, Roma, Meltemi, 2008, pp. 339-344.
Harold Bloom, “Introduction”, in George Orwell's 1984, Mew York, Chelsea House, 1987, pp. 1-7
Vita Fortunati, “'It Makes No Difference': A Utopia of Simulation and Transparency”, in George Orwell's 1984, Mew York, Chelsea House, 1987, pp. 109-120
Paul Lashmar, “Information as Power”, in Aubrey and Chilton, Nineteen Eighty-Four in 1984, pp. 79- 88
Thomas Pynchon, “Introduction”, in G. Orwell, Nineteen Eighty-Four, London, Penguin, 2003, pp. v-xxv.
Jenny Taylor,” Desire is Thoughtcrime”, in Aubrey and Chilton, Nineteen Eighty-Four in 1984, pp. 24- 32
Raymond Williams, “1984 nel 1984” in Orwell, Milano, Mondadori, 1990, pp. 105-38.
Teaching methods
Assessment methods
Oral exam.
Teaching tools
Formal lectures.
Films.Office hours
See the website of Gino Scatasta