Coordinamento del progetto: STALWART-Sustaining Teachers and Learners With the Arts: Relational Health in European Schools.
Gurioli Giulia, Ferrari L., Addessi A.R., Storytelling with the MIROR-platform in the Italian inclusive school, in: AA.VV., Counterpoints of the senses: bodily experiences in musical learning: MERYC19 Book of Abstracts, 2019, pp. 34 - 35 (atti di: MERYC2019. Counterpoints of the Senses. Bodily Experiences in Musical Learning, Ghent, University of Ghent, 26-30 April 2019) [atti di convegno-abstract]Open Access
Addessi, A.R., The flow grid for the LINK Project. Guide for the observer & sample scoring sheetOpen Access
Ferrari, Laura; ADDESSI, The inter-subjectivity and the inter-acting body as common features between the autistic spectrum disorders and the MIROR Platform, in: Counterpoints of the Senses. Bodily Experiences in Musical Learning. MERYC2019 Proceedings, Gent, EuNet Meryc, 2019, pp. 51 - 58 [capitolo di libro]
Ferrari L., Addessi A.R., The inter-subjectivity and the inter-acting body as common features between the autistic spectrum disorders and the MIROR Platform, in: AA.VV., MERYC2019. Counterpoints of the Senses. Bodily Experiences in Musical Learning. MERYC Book of Abstracts, EuNEt MERYC 2019, 2019, pp. 95 - 96 (atti di: MERYC2019. Counterpoints of the Senses. Bodily Experiences in Musical Learning, Ghent, 26-30 April 2019) [atti di convegno-abstract]
Addessi A.R., Maione P., Squillante M., Amori sospirati e amori
disperati in commedia
Arie da La Locandiera
di Pietro Auletta e da
La Finta Vedova di
Nicolò Conforto, 2018. [performance]
Addessi, A.R., Squillante M., Berglund L., Maione P., Castaldo Federica, Concerto dell'Ensemble Galanterie a Plettri. Musica per mandolino della collezione Gimo, 2018. [performance]
Addessi A.R:, Concerto di Inaugurazione della Festa Internazionale della Storia 2018, 2018. [performance]
Addessi A.R., Squillante M., I manoscritti per mandolino della collezione Gimo. Live recording in Bologna, Museo di San Colombano – Collezione Tagliavini
I Solisti dell’Ensemble Galanterie a Plettri, Napoli, 2018 [Audiovisivi]
Addessi A.R., Marchese P., Squillante M., Il mandolino nel '700 napoletano, 2018. [performance]
anders friberg, erica bisesi, anna rita addessi, mario baroni, Investigating the underlying principles of perceived accents using a modelling approach, in: 15th International Conference on Music Perception and Cognition & 10th triennial conference of the European Society for the Cognitive Sciences of Music, Graz, Univerity of Graz, 2018, pp. 1 - 1 (atti di: 15th International Conference on Music Perception and Cognition & 10th triennial conference of the European Society for the Cognitive Sciences of Music, Graz, La Plata, Sidnay, 23-28 July) [atti di convegno-abstract]
Anna Rita Addessi, Marina Maffioli, Filomena Anelli, La creatività motoria dei bambini in ambienti musicali “riflessivi”. Uno studio sperimentale con il test Thinking Creatively in Action and Movement (TCAM) e la Laban Movement Analysis, «DANZA E RICERCA», 2018, 10, pp. 273 - 302 [articolo]Open Access
Matteo Ricciardi, Nascimento Araujo Mendes, A., Anna Rita Addessi, Perspectives on Comparative music education, in: 1st International Scientific Symposium of Early Career Researchers in Music (ISTeM-2018), 2018(atti di: 1st International Scientific Symposium of Early Career Researchers in Music (ISTeM-2018), Split, Corazia, 7-9 December 2018) [atti di convegno-poster]
Anna Rita Addessi, Nicola Di Stefano, Marta Rizzonelli (a cura di): AA.VV., Primo Incontro / First Meeting ESCOM-Italy. Abstract Book, nc, ESCOM-Italy, 2018, pp. 55 . [curatela]
Amatruda, G.; ADDESSI Anna Rita, Sul concetto implicito di musica degli alunni delle SMIM (scuole medie ad indirizzo musicale) italiane: indagine empirica e implicazioni per l’educazione musicale, in: Alla prova dei fatti. Ricerche sulla didattica della musica, Catania, Duetredue Edizioni, 2018, pp. 181 - 208 [capitolo di libro]
