89978 - History of the New Theatre

Learning outcomes

By the end of the course the student: knows the main artistic experiences that characterize the history of the New Theatre since the second half of the 20th century, also through video evidence; is able to identify the historical fundamentals and master the theoretical-methodological aspects; matures skills about the different forms of live performance, the analysis of expressive languages, economic and organizational models, social and cultural contexts of reference; learns how to critically organize bibliographic and documentary materials; knows how to analyze and comment on a spectacular text in relation to context, creative process, scenic writing.

Course contents

Module I = first 30 hours: Introduction to the New Theatre and founding experiences

The first module of the course will analyze the definition of “New Theatre” and the main experiences that have contribuited to the rethinking of expressive forms and professional practices from the second half of the twentieth century, marking a break with the past and affirming the “New” as a value in itself.

Module II = following 30 hours: The theatre of the third millennium

The second module of the course, open to the contribution of the students, will investigate contemporary theatre experiences, with particular reference to theatrical generations of the third millennium.

The course aims to provide the main methodological elements for analyzing live performances: construction and analysis of the sources, visual documentation, essays and other cultural materials useful for investigation.

Areas related to "Theatre of the Real" and new forms of political theatre will be taken into account (Emma Dante, Teatro Sotterraneo, Babilonia Teatri and the young artists emerging from Premio Scenario).

1st MODULE:

Start: 28th September 2022 - End: 28th October 2022.

2nd MODULE:

Start: 9th November 2022 - End: 14th December 2022

Hours: Wednesday, Thursday, Friday, 13-15.

Readings/Bibliography

Attending students (70% of attendance in class):

1. L. Mango, Il Novecento del teatro. Una storia, Roma, Carocci, 2019 (only the Second Part: Il secondo Novecento, pp. 165-341).
2. La scrittura scenica. Un codice e le sue pratiche nel teatro del Novecento, Roma, Bulzoni, 2003 (only the following part: Capitolo I. Fondamenti teorici e coordinate storiche – paragrafo 1. La scrittura scenica come oggetto teorico, pp. 13-47). Published on Virtuale platform.
3. C. Valenti, Scenari del terzo millennio. L'osservatorio del Premio Scenario sul giovane teatro, Corazzano, Titivillus, 2018. (The study will be limited to pp. 7-103. The next part can be consulted).
4. Massimo Marino, Lo sguardo che racconta. Un laboratorio di critica teatrale, Roma, Carocci, 2004 (2^ 2011). (The study will be limited to pp. 15-90).
   
5. Teaching materials published on Virtuale platform.
   

No-attending students will not include point 5 and also bring the following texts:

• C. Valenti, Storia del Living Theatre. Conversazioni con Judith Malina, Corazzano, Titivillus, 2017.
• S. Casi, Per un teatro pop. La lingua di Babilonia Teatri, Corazzano, Titivillus, 2013.

Teaching methods

The course will be conducted in person.

The teaching also includes the support of slides, audiovisual projections, web sources, and the sharing of teaching materials through Virtuale.

The course will also host meetings with artists and theatre professionals.

Students will also be invited to the vision of theatre performances which will be discussed in classroom.

Assessment methods

Attending students will face audits in progress through the course, consisting in analyzing shows that were seen in class or theatre, and also face an oral inteview. During the interview the critical knowledge of lecture topics and reference materials will be evaluated.

No-attending students will sit the oral interview aimed at verifying the critical knowledge of the bibliographical material.

The achievement of an organic vision of the issues addressed during the classes, the ownership of a mastery of expression and specific language, the capability of guidance within the reference materials will be assessed with marks of excellence. Mechanical or mnemonic knowledge of matter, poorly articulating and not always appropriate language will lead to discrete assessments. Training gaps, inappropriate language, minimal knowledge of the material will lead to votes that will not exceed the sufficiency. Training gaps, inappropriate language, lack of guidance within the reference materials will lead to failed assessments.

Teaching tools

Presentations, audiovisual projections, web sources, sharing of teaching materials through Virtuale.

TEAMS platform, Virtuale.

Office hours

See the website of Cristina Valenti