- Docente: Fabiola Naldi
- Credits: 6
- SSD: L-ART/04
- Language: English
- Teaching Mode: Traditional lectures
- Campus: Bologna
- Corso: Second cycle degree programme (LM) in Innovation and Organization of Culture and the Arts (cod. 0902)
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from Jan 22, 2024 to Mar 04, 2024
Learning outcomes
Student is expected to learn the frameworks of management of museum institutions and to understand critical methods for the comprehension of various works of art, through developing a profound understanding of the historical background. - learn methodologies for analysing works of art - examine the Italian art historical tradition.
Course contents
This course is an exploration of contemporary visual art forms and their international cultural connections for the student with little experience in the visual arts and history of contemporary art. It includes a brief study of art history of the last three decades, and in-depth studies of the elements, media, and methods used in creative thought and processes. The course aims to take into the latest visual expanded scenarios in which visual art is engaged with sociological and anthropological practices of now. The course intends to underline the many possibilities of our post modern and post contemporary actuality inside and outside the museum.
This course defines the meaning of aesthetics and its relationship to cultural conventions, describes specific processes used by visual artists, art as a social activity and a singular creative act, historical forms of artistic training.
This course develops in three fundamental moments. The first unit (10 hours) tries to introduce a theoretical deepening in order to identify the Contemporary Art History. The second unit (10 hours) is dedicated to deepening of some contents of contemporary art. The third unit (10 hours) is an immersive experience into different artistic spaces (galleries, museum, art association, temporary art practices), including the city, where it’s possibile now to meet contemporary art.Readings/Bibliography
Boris Groys, Going Public, Sternberg Press, London, 2010
Enrique Vila-Matas, The Illogic of Kassel, New Directions Paperbook, 2015
Claire Bishop, Partecipation. Documents of contemporary art, The WhiteChapel Ventures Limited, London, 2006Teaching methods
Teacher-Centered Approach.
The students will be able to discuss with the teacher the different arguments
Assessment methods
The exam will be a conversation about the arguments focused during the lessons and the books suggested in the bibliography
Grading system:
• <18: fail
• 18-23:sufficient
• 24-27: good
• 28-30: very good
• 30 e lode: excellent
Teaching tools
the teaching tools are images, videos, sounds and excursions to various art exibitions.
The course will also offer the opportunity to meet professionals in contemporary art (artists, curators, director museums)
Office hours
See the website of Fabiola Naldi
SDGs




This teaching activity contributes to the achievement of the Sustainable Development Goals of the UN 2030 Agenda.