- Docente: Vincenzo Lavenia
- Credits: 12
- SSD: M-STO/02
- Language: Italian
- Teaching Mode: Traditional lectures
- Campus: Ravenna
- Corso: First cycle degree programme (L) in Cultural Heritage (cod. 8849)
Learning outcomes
The course concerns the reconstruction of the main events in Early Modern History, in the light of the latest historical interpretations. After completing the course, students will be able to place the facts and issues in the context of international events and will be able to show sound knowledge and understanding of the main phases of European and World history from the end of the 15th to the end of the 18th Centuries.
Course contents
The course includes a long general part oriented on these topics:
Early Modern history: a definition
The equilibrium of the world since the end of the fifteenth century: China
The equilibrium of the world since the end of the fifteenth century: Japan and India
The equilibrium of the world from the end of the fifteenth century: The Safavids and the Ottoman Empire
The equilibrium of the world since the end of the fifteenth century: Africa and the origin of the slave trade
The equilibrium of the world since the end of the fifteenth century: America before Columbus
The formation of the Portuguese and Spanish empires
Three realities become one: the meaning of intolerance in the Iberian Peninsula
The legacy of the long European Middle Ages
Humanism, Renaissance, print
Papacy, political powers and cities in the Italian crisis
The end of the religious unity of the West
Effects of the Reformation: beliefs, representations, conflicts
Hapsburg hegemony and its enemies
The Thirty Years War and the English Civil War
The birth of the modern state in Europe
The new empires: Low Countries, France and Great Britain in the world
The reorganization of Europe. United Kingdom, France, Prussia, Austria, Russia
Society, communication, culture: the crisis of European consciousness
English hegemony, world wars and the global economy
Enlightenment and jurisdictionalism in Europe
The birth of industrialism
Two revolutions: the birth of U.S.A.
Two revolutions: France from 1789 to the fall of Napoleon
Afterwards a brief monographic part will address the problem of the impact of Reformation on representations and cultural production of the early modern age
Readings/Bibliography
A.
All students must read the following three general texts:
Carlo Capra, Storia moderna, 1492-1848, Firenze, Le Monnier-Mondadori, 2016 (fino all'età napoleonica)
Charles H. Parker, Relazioni globali nell'età moderna, Bologna, Il Mulino, 2012
Ottavia Niccoli, Figure del cristianesimo: arte e immaginario fra Rinascimento e Controriforma, in Storia del Cristianesimo, vol. 3, L'età moderna, a cura di Vincenzo Lavenia, Roma, Carocci, 2015, pp. 445-480
B.
Students who attend the course must choose one of the following texts:
Ottavia Niccoli, Vedere con gli occhi del cuore: alle origini del potere delle immagini, Roma-Bari, Laterza, 2011; Paolo Prodi, Arte e pietà nella Chiesa tridentina, Bologna, Il Mulino, 2014; Peter Burke, La storia culturale, Il Mulino, Bologna, 2009; Peter Burke, Lingue e comunità nell'Europa moderna, Bologna, Il Mulino, 2006; Peter Burke, Il Rinascimento, Il Mulino, Bologna, 2001; Lodovica Braida, Stampa e cultura tra XV e XVI secolo, Roma-Bari, Laterza, 2016; Mario Infelise, I libri proibiti, Roma-Bari, Laterza, 2013; Edoardo Tortarolo, L'invenzione della libertà di stampa, Roma, Carocci, 2011; Robert Darnton, L'età dell'informazione, Milano, Adelphi, 2007; David Woodward, Cartografia a stampa nell'Italia del Rinascimento. Produttori, distributori e destinatari, Milano, Sylvestre Bonnard, 2002; Giuseppe Marcocci, Indios, cinesi, falsari. Le storie del mondo nel Rinascimento, Roma-Bari, Laterza, 2016.
Students who do not attend the course must choose one of the following texts:
Peter Burke, Testimoni oculari. Il significato storico delle immagini, Roma, Carocci, Roma 2002; Robert Scribner, Per il popolo dei semplici. Propaganda popolare nella Riforma tedesca, Milano, Unicopli, 2008; Adriano Prosperi, Giustizia bendata. Percorsi storici di un'immagine, Torino, Einaudi, 2008; P. Burke, Il Rinascimento europeo. Centri e periferie, Roma-Bari, Laterza, 2009; A. Brilli, Il viaggio in Italia. Storia di una grande tradizione culturale, Bologna, il Mulino, 2006; David McKitterick, Testo stampato e testo manoscritto. Un rapporto difficile, 1450-1830, Milano, Sylvestre Bonnard, 2005; Elizabeth L. Eisenstein, Le rivoluzioni del libro. L'invenzione della stampa e la nascita dell'età moderna, Bologna, Il Mulino, 2011; Sandro Landi, Stampa, censura e opinione pubblica in età moderna, Bologna, Il Mulino, 2011; Illuminismo: un vademecum, a cura di Gianni Paganini ed Edoardo Tortarolo, Torino, Bollati Boringhieri, 2008; David Buisseret, I mondi nuovi. La cartografia nell'Europa moderna, Milano, Sylvestre Bonnard, 2004.Teaching methods
In addition to the traditional lectures, the teacher will use maps, texts and images to accustom students to read the sources and to understand the spaces and representations of the past. Any educational materials will be made available on-line in the appropriate section (Alma-DL) of the University website http://campus.cib.unibo.it/
Assessment methods
The oral exam, on the texts of group A and B, will take place in the dates expected at the end of the lessons.
For the students who attended the course, the oral part of the exam on a group B text, chosen by the student, can be substituted by writing a short essay of no less than 15,000 and no more than 20,000 characters, including spaces, to be sent to the teacher by e mail one week before the oral exam.
Teaching tools
The course may also include participation in seminars and conferences promoted by the teacher, as well as visits to archives, libraries and sites of historical interest to make contact with the sources of early modern age in the city of Ravenna and its surroundings. Internet will be used to access sites that fetch sources, images, maps and materials of interest.
Links to further information
https://www.unibo.it/sitoweb/vincenzo.lavenia
Office hours
See the website of Vincenzo Lavenia