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Maurizio Ascari

Full Professor

Department of Modern Languages, Literatures, and Cultures

Academic discipline: L-LIN/10 English Literature

Director of First Cycle Degree of Foreign Languages and Literature

Publications

Maurizio Ascari; Gilberta Golinelli (a cura di): Maurizio Ascari; Gilberta Golinelli; Roberta Mullini; Luis Fernando Hernández Arana; Hayley Cotter; Simona Laghi; Filip Krajník; Samia AL-Shayban; Stephen Knight; Jean Clegg; Jessica Landis; Lauren Liebe; Molly Ziegler, Early Modern Crime Literature: Ideology, Emotions and Social Norms, Firenze, Firenze University Press, 2021, pp. 271 . [Editorship]

maurizio ascari; gilberta golinelli, Introduction. Early Modern Crime Literature: Ideology, Emotions and Social Norms, «JOURNAL OF EARLY MODERN STUDIES», 2021, 10, pp. 15 - 26 [Scientific article]

Maurizio Ascari, Amnesia e fotografia in Recalled to Life, un thriller psicologico di fine Ottocento, in: Non ricordo: Amnesie, vuoti di memoria, rimozione nella letteratura e nel cinema noir, Fano, Aras, 2020, pp. 109 - 122 [Chapter or essay]

Maurizio Ascari, Counterhistories and Prehistories, in: The Routledge Companion to Crime Fiction, London, Routledge, 2020, pp. 22 - 30 [Chapter or essay]

Maurizio Ascari (a cura di): Nils Clausson, Stefano Serafini, Antoine Dechene, David C. Wright Jr, Solange Garnier-Fox, Rachel Schaffer, Charlotte Beyer, Malinda K. Hackett, Soohyun Cho, Sarah France, Genre B(l)ending - Crime’s Hybrid Forms, Jefferson, McFarland, 2020, pp. 128 . [Editorship]

Maurizio Ascari; Serena Baiesi; David Levente Palatinus, Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 241 . [Editorship]

Maurizio Ascari, Introduction: Make It New, but Don’t Forget, «CLUES», 2020, 38, pp. 5 - 11 [Scientific article]

Maurizio Ascari, Light into Darkness: the Gothic Roots of Hitchcock’s Spellbound (1945), in: Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 181 - 197 [Chapter or essay]

Maurizio Ascari; Serena Baiesi; David Levente Palatinus, Why Yet Another Book on the Gothic?, in: Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 9 - 31 [Brief introduction]

Maurizio Ascari, A young aesthete in search of the primeval, in: Katherine Mansfield, In the Botanical Gardens, Wellington, Friends of the Wellington Botanic Garden, 2019, pp. 15 - 19 [Postface]

Maurizio Ascari, Review of: Alice and Pinocchio from Local to Glocal, «LINGUAE &», 2019, 18, pp. 107 - 110 [Review]

Maurizio Ascari, Review of: Barbara Pezzotti, Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series: Murder in the Age of Chaos, «STUDIES IN CRIME WRITING», 2019, 2, pp. 1 - 1 [Review]

Maurizio Ascari, Beyond realism: Ian McEwan’s Atonement as a Postmodernist quest for meaning, «RENASCENCE», 2019, 71, pp. 3 - 19 [Scientific article]

Ascari Maurizio, Criminal Minds: Reassessing the Origins of the Psycho-Thriller, in: Criminal Moves: Modes of Mobility in Crime Fiction, Liverpool, Liverpool University Press, 2019, pp. 95 - 112 [Chapter or essay]

Maurizio Ascari, Dalla street literature a Illustrated Police News: il fascino oscuro della cronaca nera, in: Noir come l’inchiostro: True Crime e Fake News sulla pagina e sullo schermo, Fano, Aras, 2019, pp. 31 - 51 [Chapter or essay]