Maurizio Ascari, Introduction: Make It New, but Don’t Forget, «CLUES», 2020, 38, pp. 5 - 11 [Scientific article]
Maurizio Ascari, Light into Darkness: the Gothic Roots of Hitchcock’s Spellbound (1945), in: Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 181 - 197 [Chapter or essay]
Maurizio Ascari; Serena Baiesi; David Levente Palatinus, Why Yet Another Book on the Gothic?, in: Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 9 - 31 [Brief introduction]
Maurizio Ascari, A young aesthete in search of the primeval, in: Katherine Mansfield, In the Botanical Gardens, Wellington, Friends of the Wellington Botanic Garden, 2019, pp. 15 - 19 [Postface]
Maurizio Ascari, Review of: Alice and Pinocchio from Local to Glocal, «LINGUAE &», 2019, 18, pp. 107 - 110 [Review]Open Access
Maurizio Ascari, Review of: Barbara Pezzotti, Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series: Murder in the Age of Chaos, «STUDIES IN CRIME WRITING», 2019, 2, pp. 1 - 1 [Review]
Maurizio Ascari, Beyond realism: Ian McEwan’s Atonement as a Postmodernist quest for meaning, «RENASCENCE», 2019, 71, pp. 3 - 19 [Scientific article]
Ascari Maurizio, Criminal Minds: Reassessing the Origins of the Psycho-Thriller, in: Criminal Moves: Modes of Mobility in Crime Fiction, Liverpool, Liverpool University Press, 2019, pp. 95 - 112 [Chapter or essay]
Maurizio Ascari, Dalla street literature a Illustrated Police News: il fascino oscuro della cronaca nera, in: Noir come l’inchiostro: True Crime e Fake News sulla pagina e sullo schermo, Fano, Aras, 2019, pp. 31 - 51 [Chapter or essay]
Maurizio Ascari, Foreword, in: Tattoos in Crime and Detective Narratives: Marking and Re-Marking, Manchester, Manchester University Press, 2019, pp. xvi - xxiii [Preface]
Maurizio Ascari, Review of: Reassessing a prolific Victorian writer, «LINGUAE &», 2019, 18, pp. 104 - 107 [Review]Open Access
maurizio ascari, Viaggiatori inglesi nell’impero ottomano tra Cinque e Seicento, in: Il mito del nemico: identità, alterità e loro rappresentazioni, Argelato (BO), Minerva, 2019, pp. 285 - 290 [Chapter or essay]
Maurizio Ascari, Geometrie non euclidee, in: Gian Italo Bischi; Giovanni Darconza, Lo specchio, il labirinto e la farfalla, Brescia, Morcelliana, 2018, pp. 183 - 188 [Postface]
Maurizio Ascari; Alessandra Calanchi (a cura di): Gian Italo Bischi, Carlo Zaza, Luca Marrone, Kristopher Mecholsky, Maria Gabriella Pediconi, Giorgio Grimaldi, Alessandra Calanchi, Glauco Maria Genga, Walter Bisello, Giuseppe Cervino, I labirinti della mente: dal thriller psicologico al criminal profiling, Fano, Aras, 2018, pp. 198 . [Editorship]
Maurizio Ascari, Julian Barnes, Flaubert’s Parrot (1984), in: Contemporary Literary Criticism, Farmington Hills, Michigan, Layman Poupard Publishing, 2018, pp. 91 - 97 [Chapter or essay]
