Marco Cucco was born in Urbino (Italy). After his high-school studies in classical domain, he moved to Lugano (Switzerland) for studying Communication at the Università della Svizzera Italiana (aka University of Lugano) and he graduated in 2004. In 2009 he received a PhD in Communication Sciences at the same university, where he served for many years as teaching assistant, post-doc research fellow, lecturer in “Film Economics and Management” and coordinator of the MSc in Media Management. Since September 2018, he is Senior Assistant Professor at the University of Bologna (Italy) where he teaches “History of Italian Cinema” and “Documetary Cinema”.
He has been a visiting PhD student at the City University of New York (USA, 2007-08); visting scholar at the University of Lorraine (France, 2012), at the University of Leeds (UK, 2015, Swiss-European Mobility Programme) and at the University of Udine (Italy, 2016, Swiss-European Mobility Programme). He has also been adjunct professor at the Université de Strasbourg (France, 2016) and at the Catholic University of the Sacred Heart, in Milan (Italy, 2015-2018).Within the initiative "The week of the Italian language in the world", he gave special lectures at the Capital Normal University (Beijing, China), Hong Kong Baptist University (Hong Kong), Shanghai Academy Theater (Shanghai, China) and Ain Shams University (Cairo, Egypt).
His research interests concern film economics and policy (main investigation areas: USA, European Union, Italy and Switzerland), US high-budget movies, European co-productions and the outsourcing of film shooting.
Marco Cucco published two books: Il film blockbuster. Storia e caratteristiche delle grandi produzioni hollywoodiane/Blockbuster Movies: History and Features of High-budget Hollywood Films (Carocci 2010) and Il mercato delle location cinematografiche/The Film Location Market (Marsilio 2013, with Giuseppe Richeri), and he edited two volumes: La trama dei media. Stato, imprese, pubblico nella società dell’informazione/The Media Plot: State, Companies and Audience in the Information Society (Carocci 2014) and Il cinema di Stato. Finanziamento pubblico ed economia simbolica nel cinema italiano contemporaneo/Cinema of the State. Public Financing and Symbolic Economy in Contemporary Italian Cinema (Il Mulino 2017, with Giacomo Manzoli). He also wrote many book chapters and articles published by peer-reviewed journals (Studies in European Cinema, Film Studies, Media, Culture & Society, European Journal of Communication, Studies in Communication Sciences, Journal of Italian Cinema and Media Studies, Studi culturali, L’avventura, Economia della cultura, Bianco e nero and Comunicazioni sociali).
In April 2017, he obtained the national scientific qualification (ASN–Abilitazione Scientifica Nazionale) as an associate professor.