Foto del docente

Francesco Maria Spampinato

Professore ordinario

Dipartimento delle Arti

Settore scientifico disciplinare: ARTE-01/C Storia dell’arte contemporanea

Coordinatore del Corso di Laurea Magistrale in Arti visive

Didattica

Ultime tesi seguite dal docente

Tesi di Laurea

  • Autotune e Readymade. La trap come arte concettuale
  • Estetica del fallimento. Nuovi canoni di bruttezza nell’arte post-Internet
  • Militanza visiva ed anonima: la pratica artistica e democratica dell’Atelier Populaire
  • Mutoid Waste Company. Arte e tecnologie di sopravvivenza post-umane
  • My Garden’s Boundaries Are The Horizon. Arte e memoria al de Appel di Amsterdam
  • Psicogeografia: pratiche artistiche di riscrittura dello spazio urbano
  • Sex and Solitude. La mostra di Tracey Emin a Palazzo Strozzi tra autobiografia e femminismo
  • Sinestesia e Surrealismo. La comunicazione visiva di Storm Thorgerson
  • Spettri sonori. Cultura visuale nella musica pop
  • Through the Looking Glass: tecnologia, liminalità e depersonalizzazione nell'arte contemporanea

Tesi di Laurea Magistrale

  • Art in the Age of Systemic Crisis: Josh Kline’s Identity Politics and Dystopian Futures
  • Attenzione e inquinamento visivo: verso un'ecologia visuale
  • Between Bodies and Objects: Rethinking Carol Rama Beyond the Psychobiographical Narrative
  • Beyond Space Settlements: Reframing Life on Earth Through the Visual Culture of the Cosmos
  • Contemporary Art and Accessibility: The Curatorial Approaches of the Basel Social Club
  • Contemporary Art in Nairobi: Sustainability between Tradition and Future Visions
  • Cosmic Anime: Orbital Ecologies, Posthuman Space and the Visual Arts in Japan
  • Curating Technological Futures: Perspectives from Seoul's Robot & AI Museum
  • Disrupting Surveillance Capitalism: Art, Social Justice and the Disruption Network Lab
  • Exhibiting Nuclearity: The Atomic Age and Its Aftermath at the Musée d'Art Moderne de Paris
  • Immagini della totalità. Cultura visuale della Terra vista dallo spazio
  • Islamic Art in Europe: Shifting Narratives in The Museum Space
  • Magical Realism at WIELS: Artistic and Curatorial Experiments in Times of Ecological Fractures
  • Museum for Preventive Imagination: Luca Lo Pinto’s Direction of MACRO in Rome (2020–2025)
  • New World Summit: Jonas Staal’s Artistic Practice and Alternative Geopolitics
  • Painterly Lyricism and Political Metaphor: The Polish School of Posters Then and Now
  • Politics of the Gaze: Curatorial Restraint in the Turin Exhibition Seeing Auschwitz
  • Post-Internet Empathy: Structures of Emotion in the Oeuvre of Antoine Catala
  • Reclaiming Barbie: A Cultural Analysis of Barbie Doll's Imagery Through A Feminist Lens
  • Reimagining Waste: The Upcycling Art of Guerra de la Paz, Subodh Gupta and Marina DeBris
  • Sensation: The Outrageous Exhibition at the Origins of the Young British Artists' Success
  • Stefanos Tsivopoulos: Archives, Crisis, and the Politics of Memory in Contemporary Greece
  • The Artwork as an Edition. Reproducibility, Circulation and Value in Sophie Calle’s The Address Book
  • The France-Italy Asset: A Comparative Study of Contemporary Art Galleries with Spaces in Both Countries
  • The Landscape of Climate Change: Ways of Seeing in Contemporary Photography
  • The Museum as a Target: The Climate Activism of XR, Just Stop Oil, and Ultima Generazione
  • The Persistence of Subjectivity: Lumturi Blloshmi Between Socialism and Contemporary Art
  • The Projected Image in Florence’s Urban Space From Radical Architecture to Video Mapping
  • Who am I? Ai Weiwei’s Art and Politics Through the Prism of an Exhibition in Bologna

Tesi di Scuola di Specializzazione

  • Alle origini della lecture-performance. Pratiche discorsive nell’Italia degli anni Settanta
  • Ballroom Culture: genealogie, pratiche curatoriali e performative della scena italiana
  • Black Power in Italia. Cultura visuale e rimediazioni artistiche da Malcolm X ad Angela Davis (1961-1975)
  • Dal telaio al codice binario. La computer art di Charlotte Johannesson
  • Inconscio Cibernetico. Happening intermediale e interattivo tra Bologna e Parigi 1973-1975
  • Maurizio Cattelan: sperimentazioni e prime linee di ricerca 1983-1989