Foto del docente

Francesco Maria Spampinato

Senior assistant professor (fixed-term)

Department of the Arts

Academic discipline: L-ART/03 History of Contemporary Art

Curriculum vitae

EDUCATION

 

2013 – 2018

Ph.D. in Études Cinématographiques et Audiovisuelles; École doctorale: Arts et Médias

University: Université Sorbonne Nouvelle, Paris 3, Paris

Thesis: Art Contemporain et Télévision: Formes de Résistance, Appropriation et Parodie

Advisor: Prof. Antonio Somaini

 

2004 – 2006

Master of Arts (M.A.) – Major: Modern Art, Critical Studies Track

University: Columbia University, New York

Thesis: Painting, Information and the Brain

Advisor: Prof. John Rajchman; Co-Advisor: Terry Winters

 

2003 – 2004

Laurea Triennale in DAMS Arte (new university system)

University: University of Bologna, Bologna

Thesis: Takashi Murakami e il Problema del Glocal

Advisor: Prof. Renato Barilli

 

1997 – 2003

Laurea Quadriennale in Conservazione dei Beni Culturali (old university system)

University: University of Bologna, Ravenna

Thesis: Arte e Pop: Keith Haring e la Cultura Consumistica

Advisor: Prof. Flaminio Gualdoni

 

 

ACADEMIC CAREER

 

In 2020 achieved the Italian National Scientific Qualification (ASN – Abilitazione Scientifica Nazionale) as Associate Professor in the sector 10/B1 Art History with unanimous judgment of the five commissioners.

 

Since 2019 Senior Assistant Professor (fixed-term)/Tenure-track, academic discipline L-Art/03 History of Contemporary Art, Department of the Arts, University of Bologna, Italy.

 

From 2011 to 2015 Part Time Faculty at Rhode Island School of Design (RISD), Department of History of Art and Visual Culture, Providence, RI, US.

 

From 2011 to 2012 Part Time Faculty at Parsons School of Design, The New School, Department of Art and Design History and Theory, New York, NY, US.

 

In 2009 Adjunct Professor at Nuova Accademia di Belle Arti (NABA), Design Department, Milan, Italy.

 

 

TEACHING ACTIVITIES

 

Since AY 2021/22 Lecturer (Instructor) of the course Phenomenology of Contemporary Art: Fundamentals (Module 1) and Lab (Module 2), 12 CFU (60 hours), First Cycle Degree/Bachelor in Drama, Art and Music Studies, Department of the Arts, University of Bologna. Course offered during the Fall semester.

 

Since AY 2020/2021 Lecturer (Instructor) of the course History of Contemporary Art, 6 CFU (30 hours), Scuola di Specializzazione in Beni Storico-Artistici, Department of the Arts, University of Bologna. Course offered during the Spring semester.

 

From AY 2019/20 to AY 2020/21 Lecturer (Instructor) of the course History of Contemporary Art (Module 2), 6 CFU (30 hours), First Cycle Degree/Bachelor in Drama, Art and Music Studies, Department of the Arts, University of Bologna. Course offered during the Spring semester.

 

Since AY 2019/20 Lecturer (Instructor) of the course Visual Studies, 6 CFU (30 hours), Second Cycle Degree/Two Year Master in AMAC – Arts, Museology and Curatorship, Department of the Arts, University of Bologna. Course offered during the Spring semester.

 

Since AY 2019/20 Lecturer (Instructor) of the course Modern and Contemporary Art, 6 CFU (30 hours), Second Cycle Degree/Two Year Master in AMAC – Arts, Museology and Curatorship, Department of the Arts, University of Bologna. Course offered during the second of the Fall semester.

 

In AY 2018/19 Lecturer (Instructor) of the course Seminario di Arte – Post-Internet: Speculazioni sul Futuro nell’Arte del XXI Secolo, 6 CFU (30 hours), First Cycle Degree/Bachelor in Drama, Art and Music Studies, Department of the Arts, University of Bologna. Course offered during the Spring semester.

 

2011 – 2015 Lecturer (Instructor) of the course Contemporary Art & Its Discourses, 1 TU (36 hours), Rhode Island School of Design (RISD), Department of History of Art and Visual Culture, Providence, RI, US. Course offered for five consecutive academic years during the Spring semester.

 

2011 – 2015 Lecturer (Instructor) of the course Performance Art: Between Media and Mass Media, 1 TU (36 hours), Rhode Island School of Design (RISD), Department of History of Art and Visual Culture, Providence, RI, US. Course offered for four consecutive academic years, the first two during the Fall semester, and the other two during the Spring semester.

 

2011 – 2012 Lecturer (Instructor) of the course Global Issues in Design and Visuality in the 21stCentury: Culture, 3 Credits (23 hours), Parsons School of Design, The New School, Department of Art and Design History and Theory, New York, NY, US. Course offered twice during one academic year, Fall (1 section) and the Spring (2 sections) semester.

 

2009 Lecturer (Instructor) of the course How To Make a Public Performance, Intensive Course (30 hours), Nuova Accademia di Belle Arti (NABA), Design Department, Milan. Course offered during the months of February and October.

 

 

SCIENTIFIC ACTIVITIES

 

2021 – ongoing

Member of the research group Enhancing Korean Studies: Bridging Humanities and Social Sciences. Promoted by the Department of the Arts, Alma Mater Studiorum – Università di Bologna.

 

2021 – ongoing

Member of the research group Non-Fungible Tokens (NFT), Cultural Industries and the Digital Art Market. Promoted by the Department of the Arts, Department of Legal Studies, Department of Management, Department of Computer Science and Engineering, Alma Mater Studiorum – Università di Bologna.

 

2020 – ongoing

Co-coordinator with Roberto Pinto of the research group Making Spaces: History and Phenomenology of Non-Profit Exhibition Spaces for the Visual Arts. Promoted by the Department of the Arts, Alma Mater Studiorum – Università di Bologna.

 

2020 – ongoing

Participant in the activities of the interdepartmental center Alma Mater Research Center for Human-Centered Artificial Intelligence, Alma Mater Studiorum – Università di Bologna.

 

2019 – ongoing

Activities of research, coordination, and editing for a research project on the history of video art in Italy led by Valentina Valentini (Sapienza – University of Rome) and sponsored by the Italian Ministry of Cultural Heritage and Activities (MiBAC). More specifically, member of the curatorial committee for an exhibition project to be curated by Valentini and expected to take place in 2022 at Palazzo delle Esposizioni and Galleria d’Arte Moderna, both in Rome, and member of the editorial board of the related publication, edited by Valentini and Cosetta Saba.

 

2019 – ongoing

Member of the research group Thinking by Images: Drawings, Diagrams and Other Graphic Devices as Tools for Creating Knowledge. Promoted by the Department of the Arts, Alma Mater Studiorum – Università di Bologna.

 

2019

Participant, as a faculty of Alma Mater Studiorum – Università di Bologna, in the 22nd Curatorial Research Trip to Israel (June 16–23) sponsored by Artis, a New York-based independent nonprofit organization that supports contemporary Israeli art. Aim of the program is to provide leading members of the international art community with an immersive experience with the art scene in Israel, put them in contact with leading Israeli artists, curators and directors of museums and institutions of the State of Israel. The participation in the program has been the result of a selection based on a competitive call.

 

2018 – 2019

Creator and manager of the project Italia Periodica, a series of meetings promoted by Reading Room, Milan, dedicated to the study of magazines published in Italy from the 1950s to today. The goal was to set the foundations for a history of Italian periodic publishing as an experimental field of communication, cultural production and artistic expression.

 

2016 – ongoing

Coordinator for the Emilia-Romagna region of the Censimento degli Archivi della video arte e dei film d’artista in Italia. The project was directed by Cosetta Saba (University of Udine) and Valentina Valentini (Sapienza – University of Rome), promoted by the universities of Turin, Milan-Bicocca, Udine, and Sapienza – University of Rome, in collaboration with the Istituto Centrale per il Catalogo e la Documentazione (ICCD), and sponsored by the Direzione Generale Creatività Contemporanea, Ministry of Cultural Heritage and Activities (MiBAC). The project led to the creation of the digital platform VARIA – Video ARte in ItaliA https://varia.beniculturali.it/ . Within the same project, from November 2018 to January 2019 he was awarded a scholarship for research activities issued by the University of Milan-Bicocca.

 

2015 – 2016

Creator and responsible for the development of a rehabilitation project of the exhibition space previously used by the design and interior company "Dino Gavina" in San Lazzaro di Savena, Bologna – a building designed in 1959 by Achille and Pier Giacomo Castiglioni – in exhibition space, library and research center dedicated to the conservation and enhancement of Italian visual culture under the management of the Massimo and Sonia Cirulli Foundation, Bologna. For the same Foundation, he has developed an exhibition project – unrealized – for the Gagosian Gallery in New York, titled Futurist Reconstruction, exploring the utopian dimension of Futurism in art, design and visual culture.

 

2013 – 2018

Participation, as PhD candidate in Études Cinématographiques et Audiovisuelles (École doctorale: Arts et Médias, University: Université Sorbonne Nouvelle, Paris 3, Paris), at the activities of LIRA – Laboratoire International de Recherches en Arts, Université Sorbonne Nouvelle, Paris 3, Parigi. As part of this research group, he conducted in-depth studies on issues related to: experimental cinema and relations between cinema and other arts; theories, aesthetics and archeology of media; aesthetics and art history; criticism and theory of contemporary art; relationship between bodies and screens and between performing arts technologies.

 

2011 – 2014

Co-founder and member of ArtMap, research project concerning the digital mapping of contemporary art history, conducted from January 2011 to January 2014 at the Rhode Island School of Design (RISD), Providence, RI, United States, together with a group of faculties: Prof. Daniel Lefcourt (Department of Experimental and Foundation Studies), Prof. Clement Valla (Department of Experimental and Foundation Studies) and Prof. Kevin Zucker (Painting Department).

 

 

INSTITUTIONAL CHARGES AT THE DEPARTMENT OF THE ARTS, UNIVERSITY OF BOLOGNA

 

Since AY 2021/22 Coordinator for the Erasmus+ international mobility agreement with Jagiellonian University (Cracow).

 

Since AY 2021/22 Member of the Scientific Committee of the cultural center “La Soffitta”.

 

Since AY 2021/22 Member of the Admission Committee of the second cycle degree program in Arts, Museology and Curatorship (AMaC).


Since 2021 Member of the Committee for the Supervision and Development of the Research.

 

2021 Member of the working group for the VQR 2015–2019 (Evaluation of Research Quality).

 

Since 2021 Coordinator of the MOOC Sustainability and the Arts: Between Collective Actions and Cultural Industries, part of the Una Europa (European University Alliance) MQ in Sustainability.

 

Since AY 2020/21 Member of the Admission Committee of the Scuola di Specializzazione in Beni Storico-Artistici.

 

2020 Member of the committee for the “Luigi Tagliavini” prize for best thesis dissertation in the second cycle degree program in Visual Arts.

 

Since AY 2019/20 Member of Internationalization Committee of the second cycle degree program in Visual Arts.

 

 

EDITORIAL COMMITTEES

 

2019 – ongoing Member of the editorial board of the journal “Piano b. Arti e culture visive”, published with a double-blind peer review process following the guidelines of the Committee on Publication Ethics (COPE), by the Department of the Arts of the University of Bologna. Directors: Claudio Marra (Unibo), Claudio Zambianchi (Sapienza Università di Roma). Editor-in-Chief: Roberto Pinto (Unibo). (included in the list of the Classe A journals compiled by ANVUR for the Area 10).

 

2019 – ongoing Member of the scientific committee of the journal “Sciami/ricerche. Webzine semestrale di Teatro, Video e Suono”, directed by Prof. Valentina Valentini (University "La Sapienza", Rome). Director: Valentina Valentini (Sapienza Università di Roma). (included in the list of the scientific journals compiled by ANVUR for the Area 10).

 

 

ACTIVITIES OF PEER-REVIEW

 

2021 Digital Culture & Society, [transcript] Independent Academic Publishing, Bielefeld, Germany.

2021 Venezia Arti, Journal of the Dept. of Philosophy and Cultural Heritage, Ca’ Foscari University, Venice.

2021 VCS – Visual Culture Studies. Rivista semestrale di cultura visuale, Mimesis Edizioni.

2021 OBOE – Journal On Biennials and Other Exhibitions, Iuav University, Venice.

2021 Il Pensiero. Rivista di Filosofia, Inschibboleth Edizioni, Rome.

2020 Palgrave Macmillan, publishing company, London.

2016 NECSUS_European Journal of Media Studies, Amsterdam University Press.

 

 

MEMBERSHIPS AND AFFILIATIONS

 

2020 – 2021 CAA – College Art Association, New York.

Since 2020 Consulta Universitaria Nazionale per la Storia dell’Arte (CUNSTA), Italy.

Since 2018 Association for Art History (AAH), London, UK.

Since 2016 Consulta Universitaria Cinema (CUC), Italy.

2015 – 2016 Scientific Committee – Massimo and Sonia Cirulli Foundation, Bologna, Italy.

2013 – 2018 LIRA – Laboratoire International de Recherches en Arts, Université Sorbonne Nouvelle, Paris.

Since 2013 NECS – European Network for Cinema and Media Studies.

Since 2010 Italian Association of Journalists (ODG).

 

 

ORGANIZATION OF SCIENTIFIC CONFERENCES

 

2021

– Member of the organizing committee of the Open Arts. New Audiovisual Scenarios for the Circulation of the Arts, promoted by the Department of the Arts, Alma Mater Studiorum – University of Bologna, Universidad de Murcia and IULM University, Milan, and held at DAMSLab, University of Bologna, January 20–22.

 

 

ORAL PRESENTATIONS AT SCIENTIFIC CONFERENCES

 

2021

La Casa Telematica: Italian Postmodern Design and the Advent of Domestic Technologies, AN-ICON Annual Workshop, Reframing Interactivity. Myths, Antinomies, Genealogies, Università degli di Milano, October 19.

Pandemic Visual Regime: Strategies and Tactics, with Julia Ramírez-Blanco (University of Barcelona), Panel, Art History with(in) Crisis: “Communovirus” and Class Conflict, 109th CAA (College Art Association) Annual Conference, online, February 12.

 

2020

Gran Fury: A Response to the AIDS Crisis at the Crossroads of Art and Activism, Seminario Internacional Arte y Comunidad. Restaurando el vínculo de lo colectivo, Facultat de Geografia i Història, Departament d´Història de l´Art, Universitat de Barcelona, November 19.

 

2019

Arte contemporanea e produzione discografica: dischi e label d'artista, Musiche Popular: suoni, immagini, media, discipline, Dipartimento delle Arti, Alma Mater Studiorum – Università di Bologna, June 11.

Pratiche video in Italia negli anni Ottanta: Ibridazione, Corpo e Mass Media, VARIA: Video Arte in Italia, Dipartimento di Pianificazione, Design, Tecnologia dell'Architettura, Sapienza Università di Roma, Roma, June 6–7.

Electronic Automation in Italy in the 1960s: Two Antithetical Perspectives, Panel, Automation, Animation and the Imitation of Life in Cinema and Media, XXVI Udine International Film Studies Conference, Università degli Studi di Udine, Gorizia, March 21–23.

 

2018

The Yes Men: Ecocritical and Tactical Media, Film and Video Activism, The NECS 2018 Conference, European Network for Cinema and Media Studies, University of Amsterdam, Amsterdam, June 27–29.

Speculative Geology: Art Faces the Anthropocene, Towards and Aesthetics of Geology in the Age of Anthropocene, Association for Art History (AAH), 2018 Annual Conference, Courtauld Institute of Art, King’s College, London, April 5–7.

 

2017

Group Grammar: How Art and Design Collectives Rearticulate Language, Forming Collectives: Strategies in Modern and Contemporary Art, Hamburg University – Warburg Haus, Hamburg, October 9–13.

Synapses Overload: USCO’s Mind-Expanding Intermedia Environments, Panel, Synaesthetic Experiences: Color, Light, Vertical Montage, Intermedia Environments, The NECS 2017 Conference, European Network for Cinema and Media Studies, Université Sorbonne Nouvelle, Paris 3, Paris, June 29–July 1.

Tele-Pictures: Feminism, TV and the Pictures Generation, Panel, No-Turning Back. Re-Thinking the Postmodern, XV Magis International Film Studies Spring School, Sezione Cinema and Contemporary Arts, Università degli Studi di Udine, Gorizia, March 29–April 2.

 

2016

Giovanotti Mondani Meccanici, Memorie del Contemporaneo: Cinema e Video d’Artista in Toscana 1960–1990, Organized by Senzacornice, Auditorium di Sant’Apollonia, Florence, November 22–23.

DIS: Connectivity After the Internet, Translocal Platforms – Media Art and Connectivity, The NECS 2016 Conference, European Network for Cinema and Media Studies, University of Potsdam, Potsdam, July 28–30.

Slavs and Tatars: Alphabets and Art Histories, Troubled Contemporary Art Practices in the Middle East: Post-colonial Conflicts, Pedagogies of Art History, and Precarious Artistic Mobilization, Birkbeck University of London e University of Nicosia, University of Nicosia, Cyprus, June 3–4.

Public Movement: Performing Politics Through Conflictual Choreographies, Identities and Identifications: Politicized Uses of Collective Identities, The Fourth Euroacademia International Conference, Centro Culturale Don Orione Artigianelli, Venice, March 4–5.

 

2015

Frieze Projects: Context-Specificity in the Art Fair Age, Art Market Studies: Art History’s Salvation or Doom, Christie’s Education, New York, April 18.

Comizi di Non Amore: Francesco Vezzoli Revisits Pasolini through Reality TV, The Legacy of Pier Paolo Pasolini conference, Yale University, Whitney Humanities Center, New Haven, March 5–7.

 

2014

Ed Atkins: Melancholic Avatars in HD, International Conference of Cinema: Art, Technology and Communication, Avanca I Cinema, Avanca, Portugal, July 23–27.

Richard Serra: TV, Mirrors and Manipulation, Conceptual Factories. Cinema and Video in the Conceptual Art Context: Weiner, Morris, Serra, Smithson, The NECS 2014 Conference, European Network for Cinema and Media Studies, Università Cattolica del Sacro Cuore, Milan, June 19–21.

 

2013

– Stelarc: The Post Human Freak, The Science of Stelarc Symposium, Curtin University, Perth, Australia, June 19–20.

 

 

ORGANIZATION OF TALKS AND CONVERSATIONS

 

2021

Tavola Rotonda: Autoproduzioni Culturali Trasversali, Anna Rosellini and Francesco Spampinato in conversation with Emanuele Angiuli, Carolina Galbignani, and Anna Persiani, DAMSLab, Dipartimento delle Arti, Alma Mater Studiorum – Università di Bologna, June 19.

DAMS50: Incontro con Ratigher, Paolo Noto and Francesco Spampinato in conversation with Ratigher, DAMSLab, Dipartimento delle Arti, Alma Mater Studiorum – Università di Bologna, June 19.

DAMS50: Incontro con Chiara Alessi, Anna Rosellini and Francesco Spampinato in conversation with Chiara Alessi, DAMSLab, Dipartimento delle Arti, Alma Mater Studiorum – Università di Bologna, March 31.

– Valentina Valentini, Come raccontare 50 anni di arte video in Italia, Lecture, Mercoledì di Santa Cristina, Dipartimento delle Arti, Alma Mater Studiorum – Università di Bologna, April 29.

 

2019

Italia Periodica #3: Virus, Francesco Spampinato in conversation with Francesca Alfano Miglietti, Reading Room, Milan, May 23.

Italia Periodica #2: Fotoromanzo, Francesco Spampinato in conversation with Pietro Derossi (Gruppo Strum), Reading Room, Milan, March 30.

 

 

TALKS AND LECTURES AS INVITED SPEAKER (SELECTION)

 

2021

Frigidaire! Una Folle Avventura Editoriale, Francesco Spampinato in conversation with Vincenzo Sparagna, Filippo Sozzari and Ugo Delucchi, on the occasion of the exhibition that reconstructs the history of Frigidaire magazine, Fluart. Centro d’Arte Urbana, Bologna, October 7.

DAMS50: 1978-1982: Gli anni Male Detti, Francesco Spampinato in conversation with Vincenzo Sparagna and Filippo Scozzari, on the occasion of the exhibition that reconstructs the history of Il Male magazine, Fluart. Centro d’Arte Urbana, Bologna, June 24.

La musa della multimedialità: il caso dei Giovanotti Mondani Meccanici. Dialogo tra Francesco Spampinato e Maria Teresa Soldani, Archivissima – Il festival degli archivi, Turin, June 5.

Francesco Spampinato + Giovanotti Mondani Meccanici, Del Contemporaneo. Linguaggi, pratiche e fenomeni dell’arte del XXI secolo, a cura di Laura Barreca, mudaC – Museo delle arti Carrara, Carrara, January 8.

 

2020

Bill Viola e la televisione, Discussione e presentazione del libro Bill Viola, testi e conversazioni 1976–2014, a cura di Valentina Valentini (Sciami Edizioni, 2020), L’immagine oltre – Prima Rassegna sul Video d’Autore, Cosenza, December 6.

Estetiche dell’abiezione, Fotografia giornalistica, comunicazione e potere nell’era digitale: il caso di Matteo Salvini. Presentazione del libro fotografico Il corpo del capitano (Cesura Publishing), e discussione con gli autori Luca Santese e Marco P. Valli, Dipartimento delle Arti, Alma Mater Studiorum – Università di Bologna, November 18.

 

2018

Italia Periodica #1: Musica 80, Reading Room, Milan, November 24.

Robot e Cyborg d’Artista: Tra Automazione e Accelerazionismo, nell’ambito dell’incontro Intelligenza Artificiale. Una Sfida Etica, MAXXI – Museo nazionale delle arti del XXI secolo, Rome, October 30.

 

2017

Il Disco Come Medium Artistico, FLAT – Fiera Libro Arte Torino, Palazzo Cisterna, Turin, November 3–5.

Art Record Covers [with John Corbett], Corbett vs. Dempsey, Chicago, May 5.

Art Record Covers: La Storia dell’Arte Contemporanea Attraverso le Copertine dei Dischi, Talk: L'Arte Visiva Incontra la Musica: Presentazione del Volume di Francesco Spampinato [with Ruggero Eugeni, Gianni Sibilla, Francesco Tedeschi and Vincenzo Trione], Almed – Alta Scuola in Media Comunicazione e Spettacolo, Università Cattolica del Sacro Cuore, Milan, March 29.

 

2016

Art and Television, Séminaire Doctoral ED267 Arts et Média, Université Sorbonne Nouvelle, Paris 3, Paris, April 6.

 

2015

Muse Fuse: Francesco SpampinatoNURTUREart, Brooklyn, New York, December 16.

Can You Hear Me? Music Labels by Visual Artists, Talk: Artists’ Records and Recordworks [with Matthew Higgs, Pieter Schoolwerth and Susan Thomas], The New York Art Book Fair, MoMA PS1, New York, September 19.

Can You Hear Me? Music Labels by Visual Artists, Onomatopee, Designhuis, Eindhoven, The Netherlands, May 23.

The Sketchbook Project World Tour [with Guno Park, Steven Peterman, Sara Elands Peterman and Jason Wong], The New York Public Library, New York, May 20.

Come Together: The Rise of Cooperative Art and Design [with David Burns (Fallen Fruit), Ben Jones (Paper Rad), Prem Krishnamurthy (Project Projects), Karla Diaz (Slanguage) and Marc Fisher (Temporary Services)], The Los Angeles Art Book Fair, MoCA at The Geffen Contemporary / Japanese American Museum, Los Angeles, February 1.

 

2014

Come Together: The Rise of Cooperative Art and Design [with Andy Bichlbaum (The Yes Men) and Marvin Jordan (DIS)], The New York Public Library, New York, December 3.

 

2009

Arte Contemporanea: Tra Design e Marketing, Le Sempre Maggiori Interazioni tra l'Industrial Design e le Arti Figurative: Profilo Artistico, Tutela Giuridica e Partnership con le Imprese, Organized by Idealex, Palazzo Gnudi, Bologna, January 25.

 

 

RADIO AND TELEVISION INTERVIEWS AND CONVERSATIONS

 

2021

DOC – Tratti da una storia vera: Bob Ross, Francesco Spampinato in conversation with Roberta Lippi and Francesca Scherini, Radio Popolare, Milan, March 29.

GMM – Giovanotti Mondani Meccanici: Computer Comics 1984–1987, Francesco Spampinato and Antonio Glessi (GMM) in conversation with Gimmy Tranquillo, Controradio, Florence, January 29.

 

2019

Francesco Spampinato: Art Record Covers, Francesco Spampinato in conversation with Monica Bartocci and Gianluca Polverari, Frame – Una copertina la sua musica, Rai Play Radio, May 3.

 

2018

Gli Sbandati di Radio 2, Francesco Spampinato in conversation with Matteo Bordone and Melissa Greta Marchetto, Rai Radio 2, Milan, June 23.

Retromania, Episode 3: The Compact Disc, Francesco Spampinato in conversation with Isabella Ragonese, Minimum Fax Media, Sky Arte, Milan, May 28.

 

2017

L’Arte a 33 Giri: Intervista con Francesco Spampinato, De.Sign: Transiti, 3D Produzioni, Sky Arte, Milan, April 18.

Francesco Spampinato: Art Record Covers, Francesco Spampinato in conversation with Silvia Boschero, King Kong, Rai Radio 1, Rome, March 24.

Art Album Covers: Interview with Francesco Spampinato, Euromaxx, Deutsche Welle (DW) TV, Bonn, Germany, February 17.