Keywords:
musical historiography
Giambattista Martini
counterpoint
musical discography
critical editions
Theory of counterpoint in the eighteenth century; musical
historiography in the eighteenth century; padre Giambattista
Martini; critical editions of musics from seventeenth and
eighteenth centuries (D. Gabrielli, Integrale della musica sacra, II: Salmi e mottetti; G. Paisiello, Te Deum in Si bemolle); critical editions of operas from nineteenth
century; musical discography.
