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Elisabetta Pasquini
is full professor at Bologna University, where she teaches History of Music: Seventeenth-Eighteenth Centuries, as well as History of Instruments and the Orchestra. She has written about the
“Esemplare, o sia Saggio fondamentale pratico di contrappunto” (Florence, Olschki, 2004) and about the life and works of
Giambattista Martini (Palermo, L’Epos, 2007). For the publisher UtOrpheus of Bologna she co-directs, along with Francesco Lora, the critical edition series «Tesori musicali emiliani», where she has published an oratorio by Giovanni Battista Bassani (
Giona; 2009) and the first two volumes of the
Integrale della musica sacra (Complete Sacred Music) by Domenico Gabrielli (2012 and 2019). As a philologist, she also published the critical edition of
Francesca da Rimini by Saverio Mercadante (Bologna, UtOrpheus, 2015), which was staged in 2016 as part of the XLII Festival della Valle d’Itria and in 2019 as part of the Belcanto Opera Festival in Tokyo. She is the editor of «Artes – Rivista di arte, letteratura e musica dell'Officina San Francesco Bologna».
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