Coordination of a Research Project: WenDAng - WRITE Digital Archive.
Coordination of a Research Project: WRITE New Forms of Calligraphy in China: A Contemporary Culture Mirror.
Bisceglia, Marta Rosa; Caccin, Daniele; Iezzi, Adriana; Merenda, Martina, Connecting Calligraphy and Music through Activities, Performances and Workshops / 通过活动、表演和研讨会连接书法与音乐, in: Marta R. Bisceglia, Martina Merenda, Adriana Iezzi, Daniele Caccin, SOUNDS OF INK: Luo Qi and 30 Years of Calligraphyism, Bologna, Bologna University Press, 2026, pp. 237 - 289 [Chapter or essay]
Iezzi, Adriana, Sounds of Ink: Luo Qi and 30 Years of Calligraphyism / 水墨的声音：洛齐与书法主义30年, Bologna, Bologna University Press, 2026, pp. 334 . [Editorship]
Iezzi, Adriana, The Donation of the Artwork “Writing Music –Silent Melodies: The Barber of Seville” /《写乐·无声之歌· “塞维利亚的理发师”》作品的捐赠, in: Sounds of Ink: Luo Qi and 30 Years of Calligraphyism / 水墨的声音：洛齐与书法主义30年, Bologna, Bologna University Press, 2026, pp. 290 - 299 [Chapter or essay]
Iezzi, Adriana, The Exhibition Display/布展, in: Sounds of Ink: Luo Qi and 30 Years of Calligraphyism / 水墨的声音：洛齐与书法主义30年, Bologna, Bologna University Press, 2026, pp. 199 - 215 [Chapter or essay]
Iezzi, Adriana; Merenda, Martina, Calligraphy and Performance Art in Contemporary China: from Blackened Writing to Gender Identity, in: Italian Association for Chinese Studies. Selected Papers 5, Venezia, Cafoscarina, 2025, pp. 194 - 210 [Chapter or essay]
Caccin, Daniele; Iezzi, Adriana, Chinese Calligraphy Between Artistic Contaminations and New Expressive-Communicative Languages: the Case of Wang Dongling’s Experimental Ink Movement, in: Italian Association for Chinese Studies. Selected Papers 5, Venezia, Cafoscarina, 2025, pp. 25 - 40 [Chapter or essay]
Iezzi, Adriana; Merenda, Martina, Performance of Genders: Marking Masculine Feminine Identities through Body and Calligraphy, «MEDIAZIONI», 2025, 46, pp. 115 - 137 [Scientific article]Open Access
Bisceglia, Marta Rosa; Iezzi, Adriana, The New Era of Chinese Graffiti: Illegal Tag Bombing, Ancient Chinese Symbols and Chinese Calligraphy, in: Italian Association for Chinese Studies. Selected Papers 5, Venezia, Cafoscarina, 2025, pp. 11 - 24 [Chapter or essay]
Iezzi, Adriana, Art from Calligraphy: Chinese Writing Turns into Pictorial Images, Performative Actions, Design Products and Graffiti Works, in: Talking Images. The Interface between Drawing and Writing, New York, Routledge, 2024, pp. 165 - 201 [Chapter or essay]Open Access
Iezzi, Adriana, Beijing: Capital of China, Capital of Graffiti, in: Marta R. Bisceglia, Adriana Iezzi, Martina Merenda, Graffiti in China, Bologna, 1088press, 2024, pp. 31 - 111 (BYTES) [Chapter or essay]Open Access
Iezzi, Adriana, Chinese Graffiti Art, in: Marta R. Bisceglia, Adriana Iezzi, Martina Merenda, Graffiti in China, Bologna, 1088press, 2024, pp. 17 - 29 (BYTES) [Chapter or essay]Open Access
Iezzi, Adriana (a cura di): Gao Shiming, Zhang Aiguo, Iezzi Adriana, Silvio Ferragina, EST E OVEST, PASSATO E PRESENTE, ZHANG AIGUO & SILVIO FERRAGINA. Mostra di calligrafia contemporanea
《东西今古——张爱国&塞尔维奥·费拉吉纳》现代书法双个展, Lecce, Youcanprint, 2024, pp. 87 . [Editorship]Open Access
Bisceglia, Marta R.; Iezzi, Adriana; Merenda, Martina, Graffiti in China, Bologna, 1088press, 2024, pp. 214 (BYTES). [Research monograph]Open Access
Iezzi, Adriana (a cura di): Marta R. Bisceglia, Adriana Iezzi, Martina Merenda, Graffiti in China, Bologna, 1088press, 2024, pp. 214 (BYTES). [Editorship]Open Access
