Foto del docente

Fabio Liberto

Adjunct professor

Centre for Teaching and Learning

Research fellow

Department of Modern Languages, Literatures, and Cultures

Teaching tutor

Department of Modern Languages, Literatures, and Cultures

Publications

vai alle Pubblicazioni

Publications prior to 2004

Elam, Keir, e Fabio Liberto, a c. di. Shakespeare and the Object. Vol. 1. Roma: Pagine, 2016.

 

Elam, Keir, e Fabio Liberto. “Shakespeare and the Object: Introduction”. Shakespeare and the Object 1 (2016): 9–24.

 

Crisafulli, Lilla Maria, e Fabio Liberto, a c. di. The Romantic Stage: A Many-Sided Mirror. Amsterdam; New-York: Rodopi/Brill, 2015.

 

Crisafulli, Lilla Maria, e Fabio Liberto. “The Romantic Stage: Holding up the Mirror up to Nature and Culture”. In The Romantic Stage: A Many-Sided Mirror, a cura di Lilla Maria Crisafulli e Fabio Liberto, 1–21. Amsterdam; New-York: Rodopi/Brill, 2015.

 

Liberto, Fabio. “Shakespeare’s Visual Memorability during Romanticism”. In The Romantic Stage: A Many-Sided Mirror, a cura di Lilla Maria Crisafulli e Fabio Liberto, 87–110. Amsterdam; New-York: Rodopi/Brill, 2015.

 

Liberto, Fabio, a c. di. Contours of the City: Interdisciplinary Perspectives on the Study of the Urban Space. Imola: La Mandragora, 2014.

 

Liberto, Fabio. “Contouring the City: Different Perspectives on the Study of the Urban Space”. In Contours of the City: Interdisciplinary Perspectives on the Study of the Urban Space, a cura di Fabio Liberto, 11–35. Imola: La Mandragora, 2014.

 

Liberto, Fabio. “The Ghost behind the Masks: The Victorian Poets and Shakespeare di W. David Shaw”. Nuova informazione bibliografica 1, n. 4 (dicembre 2015): 835–41. https://doi.org/10.1448/81964.

 

Liberto, Fabio. “Romantic Revision and Coleridge’s Poetical ‘Dejection’”. In Art and Aesthetics in the Age of Globalization, a cura di Haruhiko Fujita, 29–37. Osaka: Aesthetics Laboratory of the Graduate School of Letters, 2012.

 

Liberto, Fabio. “Poor Susans!’: Wordsworth and the ‘single(s) in the Wide Waste”. In Challenges for the 21st Century: Dilemmas, Ambiguities, Directions, a cura di R. Ambrosini, R. Colombo, A. Contenti, D. Corona, L.M. Crisafulli, e F. Ruggieri, Edizioni Q., 1:81–89. Roma, 2011.

 

Liberto, Fabio. “Shakespeare, Fuseli, and Problems of Visual Representation in Romantic Culture”. Textus 24, n. 1 (2011): 131–52. https://doi.org/10.1400/177151.

 

Liberto, Fabio. “The Politics of Language in P.B. Shelley”. La Questione Romantica 2, n. 1 (aprile 2010): 43–59.

 

Liberto, Fabio. “Storia, storiografia e storie della letteratura”. In Manuale di letteratura e cultura inglese, a cura di Lilla Maria Crisafulli e Keir Elam, 495–501. Bologna: Bononia University Press, 2009.

 

Liberto, Fabio. “New Historicism”. In Manuale di letteratura e cultura inglese, a cura di Lilla Maria Crisafulli e Keir Elam, 500. Bologna: Bononia University Press, 2009.

 

Wampole, Christy. “Sottili prospettive: corpi anoressici nel postmodernismo”. In Scandalo: Quaderni di Synapsis VIII, a cura di Rosaria Carbotti, tradotto da Fabio Liberto, 66–70. Firenze: Le Monnier, 2009.

 

Wells, Amy. “Alla ricerca dello scandalo all’estero: letture e scritture moderniste americane del mito della città di Parigi”. In Scandalo: Quaderni di Synapsis VIII, a cura di Rosaria Carbotti, tradotto da Fabio Liberto, 265–73. Firenze: Le Monnier, 2009.

 

Liberto, Fabio. “Visions, Dreams and Reality: Charles Lamb and the Inward ‘Topography’ of Shakespeare’s Plays”. In The Languages of Performance in British Romanticism, a cura di Lilla Maria Crisafulli e Cecilia Pietropoli, 141–57. Oxford; New York: P. Lang, 2008.

 

Baiesi, Serena, e Fabio Liberto. “The Romantics’ Debate on Theatre and Drama: A Selected Anthology”. In The Languages of Performance in British Romanticism, a cura di Lilla Maria Crisafulli e Cecilia Pietropoli, 243–326. Oxford; New York: P. Lang, 2008.