Books
To Enlighten and to Punish: The Functions of the Censorship in the Russian Empire. Moscow: Novoe literaturnoe obozrenie, 2023. In Russian
Scenarios of Change: The Uvarov Prize and the Evolution of Russian Drama in the Age of Alexander II. Moscow: Novoe literaturnoe obozrenie, 2021 In Russian. (Reviews by Margarita Vaysman: Modern Language Review, vol. 117 no. 4, 2022, pp.. 729-730; by Sharon Marie Carnicke: Slavic Review, 2022, vol. 81, no 3, pp. 827-828).
The “Young Editors” of the ‘Moscovite’: Aesthetics, Poetics, Polemics. Moscow: Biosfera, 2012. In Russian.
Edited Volumes
Literary Institutions in the Russian Empire. Moscow: Izatel’stvo Vysshei shkoly ekonomiki (eds. Alexey Vdovin, Kirill Zubkov). In print. In Russian.
The Exposers: Russian Dramas on Bureaucrats of the 1850s. Moscow: Common place, 2019 (eds. Andrey Fedotov, Kirill Zubkov). In Russian.
The ‘Contemporary’ vs. the ‘Moscovite’: Literary Polemics of the Early 1850s. Saint Petersburg: Nestor Istoria, 2015 (eds. Alexey Vdovin, Alexey Balakin, Andrey Fedotov Kirill Zubkov). In Russian.
Ivan Goncharov. Complete Works and Letters. Vol. 10. Saint Petersburg: Nauka, 2014 (eds. Vladimir Kotel’nikov, Alexandra Romanova, Kirill Zubkov). In Russian.
Refereed Journal Papers
‘“Against the Rules of Literary Aesthetics’: ‘In the Village’ and the Literary Polemics over Representing the Common People,” Slavic and East European Journal. Under review.
“‘An Unprecedented Point of Literary Ownership’: Goncharov, Nihilism, and Copyright Discussions in the 1860s and 1870s,” Novoe Literaturnoe Obozrenie, 2022, Vol. 177, No. 5, 44-57.
“New Approaches to Representations of Peasants in Russian Literature,” // Russian Literature, 2021, Vol. 119, No 1, 7-14 (Coauthored with Alexey Vdovin).
“Literary Prizes, Social Borders and National Theatre: The Peasant in the Russian Drama of the Age of Great Reforms,” Russian Literature, 2021, vol. 119, No. 1, 71-101 (Coauthored with Anastasiya Pernikova). In Russian.
“The Roles of the Censor: New Perspectives on Censorship in Nineteenth-Century Russia,” Russian Literature, 2020, Vol. 113, No 2, 1-5 (Coauthored with Daniil Zavlunov).
“Alexander Ostrovskii and the Censor: Between Oppression and Symbiosis,“ Russian Literature, 2020, Vol. 113, No. 2, 33-59.
“Literary institutions in Imperial Russia. Introduction,” Novoe Literaturnoe Obozrenie, 2020, Vol. 164, No. 4, 135-139 (Coauthored with Alina Bodrova, Alexey Vdovin, Sergey Guskov, Andrey Kostin). In Russian.
“The Genealogy of School Historicism: Literary Criticism, Historical Science, and the Study of Literature in the Curriculum in the 1860s–1900s,” Novoe Literaturnoe Obozrenie, 2020, Vol. 164, No. 4, 161-176 (Coauthored with Alexey Vdovin). In Russian.
“Students, Merchants or Poles? The Depiction of the May Fires of 1862 and the Problem of Reliability in the Novel by A. F. Pisemsky The Troubled Seas,” Russkaya Literatura, 2020, No. 2, 74-84 (Coauthored with Maria Petrovskikh). In Russian.
“Goncharov as Ostrovsky: Aesthetic Theory and Literary Autobiography,” In Materials Prepared for a Critical Article on Ostrovsky,’ AvtobiografiYa: Journal on Life Writing and the Representation of the Self in Russian Culture, 2020, No. 9, 125-144. In Russian.
“The Spirit and the Details: Censorship Reading Practices and the Social Status of the Censor in the Pre-Reform Era (the Case of I.A. Goncharov),” Die Welt der Slaven. Internationale Halbjahresschrift fur Slavistik, 2020, Vol. 65, No. 1, 123-141 (Coauthored with Alina Bodrova). In Russian.
“Literary Criticism and the Censor in Mid-Nineteenth-Century Russia: Problems of Interaction,” Ulbandus Review, 2016, Vol. 17 (A Culture of Institutions / Institutions of Culture), 3–16.
“The Precipice by I.A. Goncharov and the "Anti-Aesthetics" of the 1860s,” Russkaya Literatura, 2015, No. 2, 155-166. In Russian.
“The Anti-Nihilist Novel as a Polemical Construct of Radical Critics,” Vestnik MGU, 2015, No. 4, 122-140. In Russian.
‘The Lacunae of the Textbook: The Novel Oblomov in Secondary School,” Russkaya Literatura, 2012, No. 2, 39-51. In Russian.
“Pushkin's Tradition in the Novel A Thousand Souls by Alexey Pisemsky,” Russkaya Literatura, 2010, No. 3, 95-105. In Russian.
“The Novel A Thousand Souls by Alexey Pisemsky and the Plays on Petty Bureaucrats of the 1850s,” Russkaya Literatura, 2009, No. 4, 95-106. In Russian.
Chapters in Edited Volumes
“Drama I,” In Cambridge History of Russian Literature (under review).
“Vissarion Belinsky,” In Cambridge History of Russian Literature (under review).
“Writer or Censor: I.A. Goncharov’s Service in the Departments of Censorship, and the Evolution of Professional Ethics for Censors and Writers in Russia in the 1850s and 1860s,” In Goncharov in the Twenty-First Century. Boston: Academic Studies Press, 2021.
“Literary Prizes of the Age of Great Reforms in a Comparative Perspective: Uvarov Prize for Playwrights as an Institution of the Public Sphere,” In The Imperfect public sphere. The History of the regimes on Publicity in Russia. Eds. Timur Atnashev, Tatiana Vaiser, Mikhail Velizhev. Moscow: Novoe Literaturnoe Obozrenie, 2021, 150-173. In Russian.
“Random Reality in the Era of Reforms: Provincial Sketches by Mikhail Saltykov-Shchedrin and the Problem of Literary Reputation,” In Russian Realism of 19th Century: Society, Knowledge, Narration. Eds. Magrarita Vaysman, Alexey Vdovin, Ilya Kliger, Kirill Ospovat. Moscow: Novoe Literaturnoe Obozrenie, 2020, 181-209. In Russian.
“Ivan the Terrible on the Russian Stage of the 1860s: The Representation of Monarchic Power and Dramatic Censorship,” In Censorship in Russia: History and Contemporaneity. Issue. 8. St. Petersburg: Rossiyskaia natsionalnaia biblioteka, 2017, 91-111. 100. In Russian.
“The Precipice by Ivan Goncharov as a Novel about Nihilists: Plot and Composition,” In Goncharov after Oblomov. Eds. Sergey Gus’kov, Nadezhda Kalinina. Saint Petersburg; Tver: Izdatelstvo Mariny Batasovoi, 2015, 64-82. In Russian.
“The Censor against the Emperor: the Falsification in the Activities of Dramatic Censorship,” In Can the Texts Lie? To the Problem of Working with Unreliable Sources. Ed. Tatiana Kuzovkina. Tallinn: Tallinn University, 2014, 111-133. In Russian.
Reviews and review articles:
“Self-critical Realism: Three New Books on Mid-19th-century Russian Prose,” in: Russian Literature, 2022, No. 2 (in print). In Russian.
“Goncharov as an Imperialist (Bojanowska Edyta. A World of Empires: The Russian Voyage of the Frigate Pallada),” Novoe Literaturnoe Obozrenie, 2018, No. 6, 333-338. In Russian.
“Historical Time and the Life of a Radical: New Biographies of Nikolay Dobrolyubov and Nikolay Nekrasov,” Novoe Literaturnoe Obozrenie, 2017, No. 6, 338-345. In Russian.
“Literary Scholarship and Literary Classics: A Critical Review of Goncharov's Anniversary Literature,” Slavica Revalensia, 2014, No. 1, 155-178. In Russian.
