PEER-REVIEWED PUBLICATIONS (Book chapters and journals)
Salvi, C., “John Ford’s Mexico: ‘The Fugitive’ (1947).” In J. Assouly, E. Eboyan (eds.) ‘Elsewhere’ in American Cinema: How Hollywood Represents the World. London: Bloomsbury, 2026, pp. 107-125.
https://www.bloomsbury.com/in/elsewhere-in-american-cinema-9781350561977/#
Salvi, C., “All things change, but Gilbert Roland remains the same” (or not?): Recycling, adaptability, and endurance in age transition.” In Mediascapes Journal. La Sapienza, 25:1 (2025), pp. 29-41.
Salvi, C., “Temperament at a Terminal: Locating ‘Indiscretion of An American Wife/Stazione Termini’ (1953).” In Immagine - Note di storia del cinema. Persiani, 29 (2024), pp. 71-93.
Salvi, C., “Conference Report. Elsewhere from an American Perspective: Foreign Places in American Cinema.” In Transatlantica, American Studies Journal, special issue “Passeurs de la littérature des États-Unis en France (1) / L’héritage de Michel Foucault aux États-Unis,” 2 (2022).
https://journals.openedition.org/transatlantica/19773
Salvi, C., “John Ford’s Cavalry Trilogy (1948-1950): Caught Between US-American Imperialism and Irish Republicanism.” In D. Roche, H. Mayer (eds.) Transnationalism and Imperialism: Endurance of the Global Western Film. Bloomington (IN): Indiana University Press, 2022, pp. 51-67.
ISBM 0253060745, 9780253060747
Salvi, C., “Dead Men Talking. How Sonic Imagination Works in ‘Our Town’ (1940), ‘Laura’ (1944), and ‘D.O.A.’ (1950).” In M.I. Bernabei, S. Dotto, P. Villa (eds.) Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History. Milano: Mimesis, 2022, pp. 109-117.
ISBM: 9788869773310
Salvi, C. and Marine Soubeille, “Conference Report. 26th SERCIA Conference: Cosmopolitan Aspirations in English-Speaking Cinema and Television.” In Miranda, Multidisciplinary peer-reviewed journal on the English-speaking world, special issue “Modernist Exceptions,” 23 (2021).
https://doi.org/10.4000/miranda.41228
Salvi, C., “Mending Wall? L’ambigua rappresentazione dei rapporti con il Messico in alcuni film hollywoodiani sul confine.” In O. Castiglione (ed.) Confini. Traiettorie geografiche e simboliche tra cinema, architettura e altre discipline. Roma: Aracne, 2020, pp. 125-145.
ISBN 9788825538199
Salvi, C., “Champion of the underdog: il cinema populista di Will Rogers.” In Cinema & Storia, Rivista di studi interdisciplinari, special issue “Cinema e Populismo. Modelli e immaginari di una categoria politica,” edited by V. Coladonato, A. Sangiovanni, Catanzaro: Rubbettino, 8:1 (2019), pp. 43-57.
ISSN 2281-1729
Salvi, C., “Feeling Comes First: Music and Sounds as Entertaining Force in ‘The River,’ ‘The City,’ and ‘One Tenth of Our Nation’.” In InMedia, French Journal of Media Studies, special issue “Documentary and Entertainment,” edited by D. Lipson, Z. Baqué, 7:2 (2019).
https://doi.org/10.4000/inmedia.1622
Fadda, M. e Costanza Salvi, “I contain multitudes: Berkeley, Vidor e alcune declinazioni della moltitudine nel cinema hollywoodiano della Grande Depressione.” In Fata Morgana. Cosenza: Pellegrini, 11:32 (2017), pp. 95-111.
ISSN 1970-5786
Salvi, C., “Simple Stories of the Plain People: il cinema e la cultura americana populista negli anni della Grande depressione”, in Griselda-on-Line, 16 (2016-2017).
https://doi.org/10.6092/issn.1721-4777/9099
In press:
Salvi, C., “Crooners and Cowboys: How 1930s American Sensibility Was Shaped by Vocal Tracks.” In S. Pesce (ed.) That’s Entertainment: Spectacle, Amusement, and Leisure Culture. Milano: Mimesis International, 2026.
Under review:
Salvi, C., “Exploring the Mexican Border in ‘The Furies’ (1950): Character, Space, Ideology.” In R. Munro (ed.) The Films of Anthony Mann. ReFocus, The American Directors Series. Edinburgh: Edinburgh UP.
Salvi, C. and Celestino Deleyto, “King of the Bandits: The Cisco Kid, the B-Western, and the Space of the Border,” Interfaces. Image Texte Language, Special Edition “Questioning the Margins of English-speaking Films and TV Series” edited by N. Cloarec, C. Murillo, A.M. Paquet-Deyris, Open Edition Journal by Université de Bourgogne, College of the Holy Cross, Paris-Cité.
Salvi, C. and Sara Pesce, “La polifonia di Casablanca (Michael Curtiz, 1942),” Imago Studi di cinema e media, Roma: Sapienza, 2026
EDITED VOLUMES
- Immagine. Note di storia del cinema, special issue: “Percorsi di internazionalizzazione dell’industria cinematografica italiana. Reti finanziarie, mediazioni e immaginari (1945-1962) / Pathways for Internationalizing the Italian Film Industry: Financial Networks, Mediation, and Imaginary (1945-1962),” Associazione Italiana per le Ricerche di Storia del Cinema, Bologna: Persiani, 29 (2024).
Role: co-editor, with Francesco Di Chiara, Enrico Gheller and Cosimo Tassinari.
- That’s Entertainment: Spectacle, Amusement, and Leisure Culture. Milano: Mimesis International, 2026.
Role: co-editor, with Michele Fadda and Sara Pesce.
- Celebrità e crisi. Bologna: Patron, 2026
Role: co-editor, with Antonella Mascio and Sara Pesce.
