E. A. Daniele, “Vision, Composition, and Sheaves of Grain in Giambattista Tiepolo’s Allegory of Africa at Palazzo Clerici (1740)”, in Controversial Monuments: Personifications of the Continents from the 18th to the 21st Century, ed. by L. Arizzoli, M. Horowitz, M. Romberg, forthcoming.
E. A. Daniele, “Drawing Worlds in Smoke, Powder, and Fumes: Bodies and Trifles in Il Tabacco, the Courtly Ballet Staged in Turin (1650)”, in Making Worlds: Global Invention in the Early Modern Period, ed. by B. Wilson and A. Vanhaelen, University of Toronto Press (Scheduled for publication in 2022).
E. A. Daniele, “The Visual Forms and Color Palette of Francesca Romana’s Holiness at Tor de’ Specchi”, co-authored with Pamela Gallicchio, in Ikon – Journal of Iconographic Studies, 14, 2021, pp. 177-188.
E. A. Daniele, “Portraits of the World. The Four Continents at Palazzo Farnese in Caprarola: The Figurative Code, Sources and Comparisons”, in Bodies and Maps: Early Modern Personifications of the Continents, ed. by M. Horowitz and L. Arizzoli, Brill, Leiden 2020, pp. 191-214.
E. A. Daniele, “Ballets and Masques of the Nations: Translating and Staging the Four Corners of the World”, in The Center & Clark Newsletter, No. 68, Fall 2019.
E. A. Daniele, “Indice dei Nomi e dei Luoghi”, in Giorgio Fossaluzza, Nelle chiese di Farra, Soligo e Col San Martino. Itinerario di pittura dal Tre al Quattrocento, Stilus, Zero Branco (TV) 2018, pp. 391-399.
E. A. Daniele, “Giardino e città nel Giudizio universale dell’Angelico per Santa Maria degli Angeli”, in Arte Cristiana - International Review of History and Liturgical Arts, CV, 898, 2017, pp. 9-18.
E. A. Daniele, “The Bosom of the World. The Mountain of Eden as Empirical Quest and Spiritual Conquest”, in Conquistare la montagna. Storia di un’idea / Conquering Mountains. The History of an Idea, ed. by M. Al Kalak and C. Baja Guarienti, Mondadori, Milano 2016, pp. 95-108.
